Previous Page
  Next Page
 
Evokation
 
 
Index
 

 

 

 

 

 

 

 

 

WISE WISDOM LOST AT SEA DROWNED IN A SEE OF KNOWLEDGE

 

A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

 

...

 

 

 

 

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

18
THE ENGLISH ALPHABET
-
-
-
1
THE
33
15
6
-
ENGLISH
74
38
2
1
ALPHABET
65
29
2
18
THE ENGLISH ALPHABET
172
82
10
1+8
-
1+7+2
8+2
1+0
9
THE ENGLISH ALPHABET
10
10
1
-
-
1+0
1+0
-
9
THE ENGLISH ALPHABET
1
1
9

 

 

C
=
3
-
8
CREATORS
99
36
9
R
=
9
-
8
REACTORS
99
36
9
-
-
12
-
16
First Total
198
72
18
-
-
1+2
-
1+6
Add to Reduce
1+9+8
7+2
1+8
-
-
3
-
7
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
3
-
7
Essence of Number
9
9
9

 

GOD WITH US AND US WITH GOD

 

HALLELUJAH HURRAH FOR RAH FOR RAH HURRAH HALLELUJAH

 

11
THE ADVENT
-
-
-
3
THE
33
15
6
6
ADVENT
66
21
3
9
THE ADVENT
99
36
9
-
-
9+9
3+6
-
2
THE ADVENT
9
9
9

 

 

SCULPTURE OF VIBRATIONS 1971

 

 

EGYPTIAN CHRONOLOGY

THE MYTHIC DYNASTIES

F. G. Fleay

1899

Page 93

GODS MEMPHITE SCHEME

"PTAH reigned for 9000 months"

 

YEA

THOUGH I WALK THROUGH

THE

VALLEY OF THE SHADOW OF DEATH

I

WILL FEAR NO EVIL FOR THOU ART WITH

ME

ALWAYS

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT

PLANETS STARS AND LIFE

Page 24

A

proton

is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'

 

 

I

OSIRIS

UNAS OSIRIS AM I AM OSIRIS UNAS

AM

I

SOKAR OSIRIS AM I AM OSIRIS SOKAR

AM

I

I THAT AM THAT THAT THAT ISISISIS THAT THAT THAT AM THAT I

 

 

O

NAMUH

WHEN SHALL WE C THY LIKE AGAIN

 

 

I

ME

EGO

OGRE

CONSCIENCE

NAME ME I ME NAME

ME

AMEN

I MEAN NAME THAT NAME MEAN

 

 

I

I 9 I

ME

ME 45 EM

EGO 576 EGO

OGRE 6795 OGRE

CONSCIENCE 3651395535 CONSCIENCE

DIVINE THOUGHT GODS THOUGHT DIVINE

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

NAME ME I ME NAME

ME

AMEN

I MEAN NAME THAT NAME MEAN

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

....

ADDED TO ALL MINUS NONE SHARED BY EVERYTHING MULTIPLIED IN ABUNDANCE.

 

 

I

AM

WHOLE SOURCE AM I 9 I AM WHOLE SOURCE

AM

I

 

 

OSIRIS SO IRIS OSIRIS

 

SO IR IS IS IR SO

ISIS IS IS ISIS

OSIRIS SO IRIS OSIRIS

 

 

DIVINE LOVE IS 99 99 IS LOVE DIVINE

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SUN

OSIRIS SO RI IS THAT SUNSETSUN IS RI SO OSIRIS

OSIRIS ISISISIS OSIRIS

BIRTHING THE NEW HORUS NEW THE BIRTHING

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SUN

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

 

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

IS

KRISHNA SHIVA VISHNU VISHNU SHIVA KRISHNA

IS

 

 

ZE US US ZE

C ZEUS C

C RHEA C

HEAR US C US HEAR

ZEUS SEE US US SEE ZEUS

 

 

THE HOURS OF HORUS NOW IS IS NOW THE HORUS OF HOURS

 

 

RA AR R RA AR

IS RA EL EL IS RA

IS REAL REAL IS

REAL REALITY REVEALED REALITY REAL IS

 

 

EARTH HEART R HEAT R HEART EARTH

EARTH HEART EARTH THERA TERAH

 

 

SELF FEELS SELF

SEE ELS FISH SELLS FISH ELS SEE

SELFISH SELLS ELS FISH ELS SELLS SELFISH

 

 

I

INCA

THE SON OF THE SUN

I

9531

THE SON OF THE SUN

I

9

THE SON OF THE SUN

I

9

 

 

ANUS RA'S ARS ARS RA'S ANUS

ANUS UR RU ANUS

ANU 153 ANU

153 ANU 153

ANU 153 ANU

ANUS A SUN A SUN ANUS

URANUS UR A SUN A SUN R U URANUS

 

 

SPINE PENIS IS IS PENIS SPINE

VAGINA V AGAIN AGAIN V VAGINA

MENSTRUATE MENS TRU-E HATE TRU-E MENS MENSTRUATE

MENOPAUSE MEN O PAUSE PAUSE O MEN MENOPAUSE

 

 

A

LINE A NILE A LINE

 

 

ALIEN IS IS ALIEN

 

 

ANUBIS A NUMBER IS IS A NUMBER ANUBIS

 

 

R U SOL SOL U R

SOUL SO U LIVE SOUL SO U LEARN SOUL SO U LOVE

R U SOL SOL U R

 

 

ABRAHAM A BRAHMAN IS IS ABRAHAM A BRAHMAN

 

 

SOLOMON SOL MOON MOON SOL SOLOMON

 

 

ERUSALEM JESU MALES R R MALES JESU JERUSALEM

JERU-SALEM MALES JERU-SALEM

 

 

MARY Y RAM MARY MARY Y RAM MARY

 

 

ISHI TELL IRISH RISHI HOW MANY FISH ISHI

 

 

ISHMAEL IS HE MALE MALE IS HE ISHMAEL

 

 

AND DNA AND DNA AND DNA AND DNA AND

 

 

HALAL ALLAH HALAL

TEAM TAME MEAT TAME TEAM

EAT TEA TEA EAT

TEAT TAKE IT EAT IT TAKE TEAT

 

 

FELT HAND LEFT HAND

FELT RIGHT FELT

 

 

EROS ROSE IS SORE IS ROSE EROS

 

 

MOUTH IS O IS MOUTH

 

 

BUDDHA BUD HAD HAD BUD BUDDHA

HASHISH HE HAS ISH ISH HAS HE HASHISH

HASHISH SHE HAS ISH ISH HAS SHE HASHISH

IS THAT IRISH HASHISH RISHI IS THAT IS IS THAT IRISH HASHISH RISHI THAT IS

 

 

THREAD R DEATH R THREAD

IM- MORTAL AM I AM MORTAL-IM

IMMORTAL AM I AM IMMORTAL

IMMORTAL THOU ART THOU IMMORTAL

 

 

DECIPHER

MANKIND HAD 1200 YEARS YEARS

TO CRACK THE CODE WE HAVE

ONE WEEK LEFT

Stel Pavlou

Page 357

24 hours

"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly intervals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."

Ian Stewart, Nature's Numbers, 1995

 

 

THOSE PATENT PATIENT PATTERN MAKERS

 

 

Nature's Numbers
Ian Stewart 1995

Numerology is the easiest-and consequently the most dangerous-method for finding patterns. It is easy because anybody can do it and dangerous for the same reason. The difficulty lies in distinguishing significant numerical patterns from accidental ones. Here's a case in point. Kepler was fascinated with patterns in nature, and he devoted much of his life to looking for them in the behaviour of the planets. He devised a simple and tidy theory for the existence of precisely six planets (in his time only Mercury, Venus, Earth, Mars, Jupiter, and Saturn were known). He also discovered a very strange pattern relating the orbital period of a / planet- the time it takes to go once around the Sun-to its distance from the Sun. Recall that the square of a number is what you get when you multiply it by itself: for example, the square of 4 is 4 x 4 = 16. Similarly, the cube is what you get when you multiply it by itself twice: for example, the cube of 4 is 4 x 4 x 4 = 64. Kepler found that if you take the cube of the distance of any planet from the Sun and divide it by the square of its orbital period, you always get the same number. It was not an especially elegant number, but it was the same for all six planets.

Which of these numerological observations is the more significant? The verdict of posterity is that it is the second one, the complicated and rather arbitrary calculation with squares and cubes. This numerical pattern was one of the key steps towards Isaac Newton's theory of gravity, which has explained all sorts of puzzles about the motion of stars and planets. In contrast, Kepler's neat, tidy theory for the number of planets has been buried without trace. For a start it must have been wrong, because we now know of nine planets, not six. There could be even more, farther out from the Sun, and small enough to be undetectable But more important, we no longer expect to find a neat, tidy theory for the number of planets. We think that the Solar System condensed from a cloud of gas surrounding the Sun, and the number of planets presumably depended on the amount of matter in the gas cloud, how it was distributed, and how fast and in what directions it was moving. An equally plausible gas cloud could have given us eight planets, or eleven; the number is accidental, depending on the initial conditions of the gas cloud, rather than universal, reflecting a general law of nature"

Page 6

" The big problem with numerological pattern-seeking is that it generates millions of accidentals for each universal. Nor is it always obvious which is which. For example, there are three stars, roughly equally spaced and in a straight line, in the belt of the constellation Orion. Is that a clue to a significant law of nature?
Here's a similar question. Io, Europa, and Ganymede are three of Jupiter's larger satellites. They orbit the planet in , respectively, 1.77, 3.55, and 7.16 days. Each of these numbers is almost exactly twice the previous one. Is that a significant pattern? Three stars in a row, in terms of orbital period. Which pattern if either, is an important clue..."
    "… In addition to numerical patterns there are geometric ones…"
    "… Until recently the main shapes that appealed to mathematicians were very simple ones: triangles, squares, pen / Page 7 /tagons, hexagons, circles, ellipses, spirals, cubes, spheres, cones, and so on. All of these shapes can be found in nature, although some are far more common, or more evident, than others. The rainbow, for example, is a collection of circles, one for each colour. We don't normally see the entire circle just an arc; but rainbows seen from the air can be complete circles. You also see circles in the ripples on a pond, in the human eye, and on butterflies wings.
         Talking of ripples, the flow of fluids provides an inexhaustible supply of nature's patterns. There are waves of many different kinds-surging toward a beach in parallel ranks, spreading in a V-shape behind a moving boat, radiating outward from an underwater earthquake…"
"…There are swirling spiral whirlpools and tiny vortices. And there is the apparently structureless, random frothing of turbulent flow, one of the great enigmas of mathematics and physics. There are similar patterns in the atmosphere, too, the most dramatic being the vast spiral of a hurricane…"
    "…There are also wave patterns on land. The most strikingly mathematical landscapes on Earth are to be found in the great ergs, or sand oceans, of the Arabian and Sahara deserts. Even when the wind blows steadily in a fixed direction, sand dunes form. The simplest pattern is that of transverse dunes, which-just like ocean waves-line up in parallel straight rows at right angles to the prevailing wind direction. Sometimes the rows themselves become wavy in which case they are called barchanoid ridges; sometimes they break up into / Page 8 / innumerable shield-shaped barchan dunes. If the sand is slightly moist, and there is a little vegetation to bind it together, then you may find parabolic dunes-shaped like a U, with the rounded end pointing in the direction of the wind. These sometimes occur in clusters, and they resemble the teeth of a rake. If the wind direction is variable, other forms become possible. For example, clusters of sand shaped dunes can form, each having several irregular arms radiating from a central peak. They arrange themselves in a random pattern of spots.

Chapter 6

Page 81

"Nature's symmetries can be found on every scale, from the structure of subatomic particles to that of the entire universe. Many chemical molecules are symmetric. The methane molecule is a tetrahedron - a triangular-sided pyramid - with one carbon atom at its center and four hydrogen atoms at its corners Benzene has the sixfold symmetry of a regular hexagon. The fashionable molecule buckminsterfullerene is a truncated icosahedral cage of sixty carbon atoms. (An icosahedron is a regular solid with twenty triangular faces;
"truncated" means that the corners are cut off.) Its symmetry lends it a remarkable stability, which has opened up new possibilities for organic chemistry.
    On a slightly larger scale than molecules, we find symmetries in cellular structure; at the heart of cellular replication lies a tiny piece of mechanical engineering. Deep within each / Page 82  / living cell, there is a rather shapeless structure known as the centrosome, which sprouts long thin microtubules, basic components of the cell's internal "skeleton", like a diminutive sea urchin. Centrsomes were first discovered in 1887 and play an important role in organizing cell division. How-ever in one respect the structure of the centresome is astonishingly symmetric. Inside it has two structures, known as centrioles, positioned at right angles to each other. Each centriole is cylindrical, made from twenty-seven microtubules fused together along their lengths in threes, and arranged with perfect ninefold symmetry. The microtubules themselves also have an astonishingley regular symmetric form. They are hollow tubes, made from a perfect regular checkerboard pattern of units that contain two distinct proteins, alpha- and betatubulin. One day, perhaps, we will understand why nature chose these symmetric forms. But it is amazing to see symmetric structures at the core of a living cell. "

 

 

THE SUPERGODS

Maurice M Cotterell

1997

"Once we understood the intellectual game of the Maya, in the Temple of Inscriptions, we were invited to count. We counted firstly 11111,22222, 33333,44444,55555, 66... the number of the beast, of blasphemy, is miss-ing from the Temple of Inscriptions at Palenque. But then we began to count the beads on the necklace from the neck of Lord Pacal (see Chapter 4). Only when we began the count did the numbers 666 appear, not as themselves but as part of the number 13, which occurred in three sections of the necklace. Then the numbers 777 and 888 appeared in the necklace and then the 9s were found elsewhere: 'Let him that hath understanding count the number of the beast.'
The expression 'Let he that hath an ear, let him.hear' appears no less than eight times in Revelations, and we recall that one of the plaster heads of Lord Pacal found on the floor of the tomb had one ear missing:
'Let he that hath an ear, let him hear' (see Fig 37).
Revelations continues by telling of an angel that came to 'seal the servants of God'

 

 

THE

PATH OF PTAH

 

 

THE EGYPTIAN BOOK OF THE DEAD

E. A. Wallace Budge

1899

OF LIVING NIGH UNTO RA

 Page 397

And I say, 'On every road " and among (11) these millions of years is Ra the lord, "and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "

 

"and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "

 

 

In 1913 Bohr perfected the Rutherford theory of the atom by an early use of quantum theory. An electron moving in a circle around the nucleus can be held in orbit by a balance between the electrostatic force of attraction to the nuclei and the centrifugal force due to its motion.

 

 

THE MORNING OF THE MAGICIANS

Lois Pauwels and Jacques Bergier

1963

Page 226

The 'Sun' was the fixed centre round which the electrons revolve"

 

 

THE SUPERGODS

Maurice M Cotterell

1997

Page 110

And I saw another angel ascending from the East, having the seal of the living God: and he cried with a loud voice to the four angels, to whom it was given to hurt the Earth and the sea, saying 'Hurt not the Earth, neither the sea, nor the trees, till we have sealed the servants of our God in their foreheads: And I saw the number of them which were sealed; and there were sealed an hundred and forty, and four thousand of all the tribes of the childrel} of Israel. (Rev VII 3,4)
It goes on, 'And it was commanded them that they should not hurt the grass of the Earth, neither any green thing, neither any tree, but only those men which have not the seal of God on their foreheads...' (Rev IX, 4).
Look again at The Physical Death of Lord Pacal, Scene 4 (Fig 49 below). Look again at his forehead, and count the number sealed: 144,000.
Like all composites, the picture is made up of two halves which are 'reflected' either side of the centre line of the drawing. It is therefore not possible to show the number 144,000 from left to right and again (the mirror image) from right to left. To overcome this, 1440 is written from left to right. The mirror image of 1440 can be seen from right to left. The missing two zeros (in Mayan notation, an oval embellished with three lines) are shown above this number.
It seems that the man in the tomb at Palenque had much in common with the other Supergods - Jesus, Krishna and Buddha - and that he brought the same message and the same super-knowledge which has powerfully influenced the intellectual ascent of man since time began."

 

 

THE SUPERGODS

Maurice M Cotterell

1997

Page 118

"Sacrifice at first appears as penance, difficult and tortuous, attracting few followers. In the Hindu holy book, the Bhagava-Geeta, the teacher Lord Krishna supports this view saying:

Hear further the three kinds of pleasure. That which increases day after day and delivers one from misery, which at first seems like poison, but afterwards acts like nectar - that pleasure is pure, for it is born of wisdom. That which is at first like nectar, because the senses revel in their objects, but in the end acts like poison - that pleasure arises from passion. While the pleasure which from first to last merely drugs the senses, which springs from indolence, lethargy and folly - that pleasure flows from ignorance. (BG, 18:36-9)

(BG, 18:36-9)

 

 

HARMONIZED

Page number omitted

THE STUDENT'S ASSISTANT

 IN

ASTRONOMY AND ASTROLOGY

  : CONTAINING
 
 OBSERVATIONS ON THE REAL AND APPARENT MOTIONS OF THE
SUPERIOR PLANET8.-THE GEOCENTRIC LONGITUDE OF THE
       SUN AND SUPERIOR PLANETS,
              CALCULATED FOR 44 YEARS TO COME.
 Geocentric Longitude of the Planet Herschel for 100 years during the 18th Century. The Moon's Node on the first day of
         every month, from1836 to 1880. Heliocentric
and Geocentric Longitude of all the f
PLANETS' ASCENDING AND DESCENDING
NODES
LONGITUDE, LATITUDE, AND MAGNITUDE OF  ONE HUNDRED AND
FORTY-FOUR FIXED STARS, FOR PAST AND  FUTURE YEARS.
        Eclipses of the Sun visible in England.
 ALSO
           A DISCOURSE ON THE HARMONY OF
PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY.
BY J.T. HACKET.
LONDON:
BRAY AND KING, 55, ST. MARTIN'S LANE,
         AND  E. GRATTAN, 51, PATERNOSTER ROW.
Milton Press J. Nichols, 9, Chandos Street. Strand.

PREFACE

"A work of this kind may not be so amusing to some individuals as a pleasing romance; yet it is hoped will prove to the Astronomical Stu-dent and learner, gratifying and instructive. At  the request of a select number of students, the present laborious calculations were made, in order to give others and themselves an opportunity of more perfectly understanding the apparent motions of the superior Planetary bodies herein mentioned, together with an illustration of the various phenomena the above planets present to us, the observers on this Earth, caused by the revolution of the planets and the earth, around the Sun, as the centre and great point of attraction tion to the Solar System. I have given a correct Table of the longitude and latitude of 144 fixed stars, calculated up to1836 ,..."

Page 9 (number omitted)

INTRODUCTION TO ASTRONOMY.

"THIS Introduction is merely intended to con-vey a sufficient idea to those who are not already acquainted with the solar system, the propor-tional distances of the Planets' orbits from the Sun, and the Earth, together with the apparent motions of the superior planets, as viewed from this Earth, called their geocentric places or motions. The path of the Planets or circles which their orbits describe in the heavens, is called the Zodiac. Suppose it a belt 20° wide with the Ecliptic, orbit, or path of the Earth in the centre thereof; in as much as a planet's orbit differs from the exact plane of the Ecliptic, or orbit ,of the Earth, so much is the planet's latitude in degrees and minutes; the points where these imaginary circles intersect the Ecliptic, are cal!ed the nodes: The ascend-ing node is that point which the planet enters / Page 10 / for north latitude, the opposite is the descending node for south latitude. The Zodiac is divided into 12 Constellations, called signs, each sign divided into 30 degrees, each degree into minutes and seconds."

 

 

THE TUTANKHAMUN PROPHECIES

Maurice Cotterell 1999

Page 193

" The centre of Solomon's courtyard contained a perfect cube, the 'holy of holies', the solid gold 'Oracle' encrusted in jewels. The inner / Page 194 / temple was a marvel of courtyards and balconies, adorned with 1,453 magnificently sculpted Parisian-marble columns, 2,906 decorated pilasters and statues of stone and metal. The buildings and courtyards could hold an estimated gathering of 300,000.

Anderson's Constitutions of the Freemasons (1723) comments:

. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the work according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600..."

183,600
"...According to the Biblical account, Chiram returned home following completion of the temple, although according to A. E. Waite (New Encyclopaedia of Freemasonry);

The legend of the Master Builder is the greatest allegory of Masonry. It happens that this figurative story is grounded on the fact of a personality mentioned in Holy Scripture, but this historical background is of the accident and not of the essence; the significance is in the allegory and not in any point of history which may lie behind it."

 

 

JUST SIX NUMBERS

Martin Rees 1999

A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "

 

 

HARMONIC 288

Bruce Cathie

1977

"(144 is the harmonic of the speed of light) and 6942 is the harmonic reciprocal."

Page 95

"The value that I calculated for length was extremely close to that.of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833,46 geodetic inches."

"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted) Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron..."

 

153 x 12 = 1836

1 x 8 x 3 x 6 = 144

 

HARMONIC 288

Bruce Cathie

1977

"(144 is the harmonic of the speed of light) and 6942 is the harmonic reciprocal."

11 SAGITTARIUS 144 45 9

11 TUTANKHAMUN 144 36 9

11 SERENDIPITY 144 63 9

 

 

HARMONIC 288

Bruce Cathie

1977

Page 95

"The value that I calculated for length was extremely close to that.of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833,46 geodetic inches.
A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided the ,clue. If 57.6 (the amount in inches by which the base is inset) is divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave-forms set up in the cavity were finely tuned to light frequencies.

A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted) Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron..."

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE ATOMIC TABLE OF ELEMENTS AS A HARMONIC SERIES

Page 54

"NATURAL LAW IS NOT ERRATIC. The universe does not rely on chance to manifest within itself the physical substance which we perceive, and call reality. A very strict and ordered system of mathematical progressions is necessary to create the smallest speck of matter from the primeval matrix of space.
During my years of research into the complexities of the earth grid system I have gradually built up a picture in my mind of the possible geometric combinations necessary to form matter from resonating, interlocking wave-forms. My limited abilities in the various academic fields have made this task a taxing one at times, but I think I have discovered how to apply the original values, published in my first two books, in a practical mathematical sense, to build up a model which 'demonstrates the harmonic formation of matter.
This model indicates to me that the number of individual elements to be found in the universe will be 144. Each of these elements will have, in theory, six isotopes, which will make up a completed table of separate substances numbering 1008. An isotope is an atom of the same element which has a different nuclear mass and atomic weight.
Mathematically, the progression would create 144 octaves of separate substances giving a theoretical value of 1152. The differen~ between the total number of substances (1008) and the harmonic value in octaves (1152) would be 144, the light harmonic. The table of elements, in octaves, would create a cycle which would be in perfect resonance with the harmonic circumference of every atom from which it is constituted. It will be demonstrated that the harmonic circumference of every atom is 1152 units.
 The harmonic values which create the geometric structure of matter can all be derived from the basic harmonic of the speed of light, 144. I have shown in Chapter Four how all the spherical / Page 54 / bodies in the universe are precipitated from space by resonances tuned to the reciprocal harmonic of light (6944). This applies to an atom and to the largest of planetary bodies, as the geometric harmonic diameter of any sized sphere has a constant harmonic affinity with the light reciprocal.
Once the precipitation of physical matter has occurred, the buildup of the substances we know as the elements takes place, according to a very well-ordered mathematical sequence. Light- waves, guided seemingly by superior intelligence, form intricate interlocking grid patterns which graduate from the simple to the more complex, as the elements from hydrogen, at the l°v:'er end of the scale, to element 144, come into being.
When we think of reality we must think of mass in relation to any physical manifestation, and the smallest particle of physical matter that we are aware of is the electron. Therefore, electron mass must be the starting point in our quest for a feasible theory to explain the structure of matter. The physics books give the best experimental value for rest mass of 9.11 x 10-31 kg for the electron, (9.2 x 10-31 in some physics books) and all modern- day calculations for mass and energy have a relationship relative
to this figure. To form the basis for a harmonic series we must , find a mass number for the electron which can be derived directly! from the harmonic of light, 144.
The mathematical analysis I carried out on the Great Pyramid, gave me the first clues upon which to base a unit for electron
mass that would show connecting relationships throughout the atomic scale. The theoretical figure proved to be 9.24184 units.
This was a fairly close approximation to the harmonic equiva-lent of 9.11 found by scientific experiment. A difference of 1.426 per cent.'
To form an atomic structure, the electron mass unit must have some sort of constant mass ratio in relation to the protons which form the nucleus of an atom. Most textbooks give an experi- mental value for this ratio of 1836 units. I found again from my work on the Pyramid that the most likely true value was 1833.464944 units. This turned out to be the theoretical length of the Grand Gallery in geodetic inches, and indicated to me that the Gallery was in fact constructed as a wave guide, tuned to light harmonics." 

Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book their value being1836 inches, and my theoretical value 1833.46 geodetic inches..."

"...A search of my physics books revealed that1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted)Page 97 /ratio of the positive hydrogen ion, i.e. the proton to the electron."

Page 86

"A further interesting comment was found in the preface to the third edition of Davidson and Aldersmith's book on the Great Pyramid. The religious symbolism of the displacement factor (the "hollowing-in" of the sides of the pyramid during construc- tion) was discussed as follows: "This aspect of the structural allegory throws a flood of light upon an element of the scriptural allegory that clearly refers to the completion of 'all the building'
. . . 'unto the measure of the fullness of the stature', required by the design. This concerns the symbolic '144000 . . . redeemed
from among men. . . without fault before the throne of God'
(Rev XIV, 1':'5); 'Living stones' . . . without flaw for the perfect casing."
It is the symbolic 144000 that appears to have great signifi-cance in the ancient writings and it is interesting to note that this particular value has been connected in some way by other researchers to the enigma of the Great Pyramid. Considering that the angular velocity of light value in grid seconds is also 144000, as postulated in other sections of this book, it is obvious to me that the structure is in fact a measure of light, and by applying this value it should be possible to solve the mathematical puzzle which has been handed down to us."

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE MEASURE OF LIGHT

Page 80

THE OBELISK RISING majestically from the sandswept plain has been visible to man for many centuries. Its massive bulk and geometric simplicity of shape have caused wonder and endless speculation to countless generations of wise men throughout history. The meaning, or reason, for such a structure has been lost and those responsible for the building of an edifice such as this must have been in possession of extremely advanced scientific knowledge. Were they an advanced race of this world who destroyed themselves by unwise manipulation of their own scientific achievement? Or, so-called gods? Or, people from other worlds who left amongst us an almost indestructible repository of advanced knowledge in the mathematical com-plexities of the universe?
The obelisk I speak of is not the cold, black, forbidding obelisk depicted in Stanley Kubrick's movie 2001, but a pyramid of shining splendour built on a rocky mile-square plateau ten miles west of Cairo, The plateau is known as Giza; the pyramidal structure of an estimated two-and-a-half million blocks of granite and limestone, is the Great Pyramid of Cheops",     Page 95 "The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being1836 inches, and my theoretical value 1833.46 geodetic inches.
A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided the clue. If 57.6 (the amount in inches by which the base is inset) is I divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave - forms set up in the cavity were finely tuned to light frequencies.
A search of my physics books revealed that1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram omitted)) / Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron. tf we dare to assume that the value, of 1833.46 is the true geometric ratio then the wave-forms in the Gallery will also have a harmonic affinity with the structure of the atom, the building block of the universe itself. Pressing on with this train of thought I again consulted a book on atomic physics and found that the mass of the electron is given as 9.2 x 10-31 kilo- grammes. I believe that, according to the clues presented by the Pyramid, the true value of electron mass, in the harmonic sense, could be taken as a standard of 9.24184 x 10-31 kilo- grammes." 

 

THE JUPITER EFFECT

John Gribbin and Stephen Plagemann 1977

Page 122

"Seventeen 'major historical earthquakes' are referred to in the report all of which occurred since 1836"

 

 

HARMONIC 288

Bruce Cathie

1977

EIGHT

THE MEASURE OF LIGHT


Page 95


"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."


Page 95

"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches,"

Page 95/97

"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."

 

 

THE TUTANKHAMUN PROPHECIES

Maurice Cotterell

Page 195

"Anderson's Constitutions of the Freemasons (1723) comments:
. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the w,ork according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600."

"being in all 183,600."

 

 

JUST SIX NUMBERS

The Deep Forces that Shape the Universe

Martin Rees

1
999

OUR COSMIC HABITAT 1 PLANETS STARS AND LIFE

A COMMON CULTURE WITH ALIENS

 

Page 21

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "

Page 21 / 22

"...A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelligence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons.A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"

Page 21

"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "

 

 

THE TUTANKHAMUN PROPHECIES
Maurice Cotterell
1
999
BEHIND THE WALL OF SILENCE

Page 190

The holy number of sun-worshippers is 9, the highest number that can be reached before becoming one (10) with the creator. This is why Tutankhamun was entombed in nine layers of coffin. This is why the pyramid skirts of the two statues, guarding the entrance to the Burial Chamber, were triangular (base 3), when the all-seeing eye-skirt of Mereruka contained a pyramid skirt with a base of four sides. The message concealed here is that the 3 should be squared, which equals 9"

"The message concealed here is that the 3 should be squared, which equals 9"

 

 

STEPHEN HAWKING

Quest for a theory of everything

Kitty Ferguson 1991

Page 103

"The square root of 9 is three. So we know that the third side.' (line ends)

There are 13 words and number 9 in the 33rd line down of page 103

 

 

URI
Andrija Puharich

Copyright 1974 By Lab Nine Ltd

Page 132

"This is how we remembered it at the time: Abraham was liv-ing near Hebron at Mamre. He was lying in his tent in the heat of
the day when three men appeared before him. They seemed to be real men. Abraham treated them hospitably with food and drink as though they were real men. Then one of them predicted that Sarah, who was around ninety years old, would have a child. She, of course, laughed this off as blarney. The three men indi-cated that they were on a serious mission for the Lord."

 

 

MARIO AND THE MAGICIAN

AND OTHER STORIES

Thomas Mann 1875 - 1955


Page366

"You speak of Nature, but you strike her in the face with your demands, you want me to strike her in the face, by stifling the spring of pain with which she has miraculously blest my soul! What a sin that would be, what ingratitude, what disloyalty to her, to Nature, and what a denial of my faith in her beneficent omnipotence! You remember how Sarah sinned? She laughed to herself be-hind the door and said: "After I am waxed old shall I have pleasure, my lord being old also?" But the Lord God was angry and said: "Wherefore did Sarah laugh?" In my opinion, she laughed less on account of her own withered old age than be-cause her lord, Abraham, was likewise so old and stricken in years, already ninety-nine. And what woman could not but laugh at the thought of indulging in lust with a ninety-nine year-old man, for all that a man's love life is less strictly limited / Page367 than a woman's. But my lord is young, is youth itself, and how much more easily and temptingly must the thought come to me "

"Abraham, was likewise so old and stricken in years, already ninety-nine"

"...with a ninety-nine year-old man"

 

 

 

MINDOTHDREAMWHATDOTHMINMEAN

 

 

TUTANKHAMEN

Christiane Desroches-Noblecourt 1963

Page177

The red oxen had been left behind; now the "Nine Friends" and the two viziers-of the North and South- drew the ropes attached to the bier behind which followed a last high dignitary of the royal procession."

Page158 (Chapter 7) 1343

The death of the king and preparations for immortality 

"Analysis of his mummy shows that Tutankhamen was between eighteen and twenty years old when he died. This allows one to set the approxi-mate date of his coronation in his ninth year, since there is no date mentioned in connexion with him after year 9 which appears on wine jars found in his tomb."

 

 

THE NEW BOOK OF REVELATION

INNER LIGHT PUBLICATIONS 1995

COMPILED BY TUELLA

THE

HOLY

999

Page 32

Part 6 "3. You have finally located in your search the only passage or use of the number 666 in the entire written record. In vain did you search for another, for no other corresponding witness exists any- where. For it is here at this point in the record (Rev. 13:18) that the perversion of this number made entry, calculated and deliberate in its destructive intent. In the (four) references to this subject that follow, the number becomes a mark that is not My Seal. The few references that follow go on to expand the prized lie that it is the "mark of the beast" and even that it appears in the forehead as well as the hand. Once an awareness is born of these interferences and the motive, the entire proposal is clearly exposed.

4. The number 999 is identified as truly of My Kingdom. It rep-resents a Divine number of the Creation of Life itself in this and other Universes. This is a widely known fact in other worlds. It is a code number within the consciousness of many who have come to Page 32 / this planet to serve the father, and who are actual extensions of myself. To disguise this number as a mark of the fallen ones has dia-bolically and thoroughly confused the souls of this planet, but it was easily accomplished by another source simply by inverting the number upside down."

Page 32

Part 6

"...3. You have finally located in your search the only passage or use of the number 666 in the entire written record. In vain did you search for another, for no other corresponding witness exists any- where. For it is here at this point in the record (Rev. 13:18)..."

4. The number 999 is identified as truly of My Kingdom. It represents a Divine number of the Creation of Life itself in this and other Universes."

"...but it was easily accomplished by another source simply by inverting the number upside down."

simply by inverting the number upside down."

 

 

DICTIONARY OF SCIENCE

Siegfried Mandel

1969

Page number (omitted)

"Appendix 5. Symbols Atomic Numbers, and Atomic Weights of Elements (1947)

 Dysprosium . Symbol Dy . Atomic Number 66 . Atomic Weight of Elements 162.46

Einsteinium . Symbol Es . Atomic Weight 99 . Atomic Weight of Elements 253"

Alphabetical sequence as presented in book

 

CIRCLE = 5 5 = CIRCLE

 

 

LOVE DIVINE IS 99 99 IS LOVE DIVINE

ADD TO REDUCE REDUCE TO DEDUCE

ESSENCE OF NUMBER

 

 

THE NUMERICAL ROOT VALUE OF THE ENGLISH ALPHABET

ISISIS

9

A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z

1+2+3+4+5+6+7+8+9+10+11+12+13+13+15+16+17+18+10+20+21+22+23+24+25+26

First Total = 351 3+5+1 = 9

 

 

A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z

1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8

Second Total 126 1+2+6 = 9

 

 

i

THE

BLESSED

9

unless integral to quoted work.

all arithmetical machinations, emphasis,

comment, insertions subterfuge and insinuations

are those of the Zed Aliz Zed as recorded by the far yonder scribe.

 

 

STORM ON THE SUN

HOW THE SUN AFFECTS LIFE ON EARTH

Joseph Goodavage

1979

Page 5

THE STAR

Chapter 1

"Eliminate the impossible. Whatever remains, however improbable must be true"

Sherlock Holmes

 

The Seven Secrets of How toThink Like a Rocket Scientist
As Sherlock Holmes told Dr. Watson, “When you eliminate the impossible—whatever remains—however improbable, must be true.” I submit that it would be ...
www.scribd.com/.../The-Seven-Secrets-of-How-toThink-Like-a-Rocket-Scientist - Cached - Similar

 

 

Adherents.com - Religious Groups in Literature
The Sherlock Holmes maxim: Eliminate the impossible; whatever remains, however improbable, must be true. " literature - Sherlock Holmes, galaxy, 2365 ... www.adherents.com/lit/Na/Na_301.html - Cached - Similar

 

 

FINGERPRINTS OF THE GODS

G Hancock

1995

Page 287

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics."

"Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3"

 

 

"WHAT ONE WOULD LOOK FOR THEREFORE WOULD BE A UNIVERSAL LANGUAGE

THE KIND OF LANGUAGE COMPREHENSIBLE TO ANY TECHNOLOGICALLY ADVANCED SOCIETY IN ANY EPOCH"

"SUCH LANGUAGES ARE FEW AND FAR BETWEEN BUT MATHEMATICS IS ONE OF THEM"

 

 

WITH EPISODIC SENSE OF DE JAVU THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED

SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER THE SACRED NUMBERS AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROWOF THE NINTH ARM WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE

RECORD OF THE FALL

 

 

2
IS
28
10
1
9
UNIVERSAL
121
40
4
4
MIND
40
22
4
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

CITY OF REVELATION

John Michell 1972

"The great alchemists, whose ultimate aspiration was to procure the birth of a divinity among men found it necessary first to invoke within themselves the spirit they wished to share with others. In the same tradition Plato wrote that the man who aquires the art of stereometry, the likening of unlike things which is function of the canon, sanctifies not only himself but also the city and the age in which he lives. The thought behind these various expressions was that the state of a society is determined by the individuals who comprise it; that the cosmic influences are manifest on earth through the medium of the human mind, and this is the instrument by which they may be controlled and held in balance. For the instument to be effective, it requires that the individual become aware of the current influences to which he is subject, and to this end the canon was devised; for by analogy with the dynamics of geometrical and numerological relationships, the world of phenomena is revealed as the product of archetyple forces, whose behaviour in any circumstances is predicatable once the nature is understood."

"the art of stereometry, the likening of unlike things"

 

 

THE ART OF STEREOMETRY

THE LIKENING OF UNLIKE THINGS

 

-
-
-
-
-
STEREOMETRY
-
-
-
S
=
1
-
1
S
19
10
1
T
=
2
-
1
T
20
2
2
E
=
5
-
1
E
5
5
5
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
O
=
6
-
1
O
15
6
6
M
=
4
-
1
M
13
4
4
E
=
5
-
1
E
5
5
5
T
=
2
-
1
T
20
2
2
R
=
9
-
1
R
18
9
9
Y
=
7
-
1
Y
25
7
7
-
-
44
-
11
STEREOMETRY
163
64
55
-
-
4+4
-
1+1
-
1+6+3
6+4
5+5
-
-
4
-
2
STEREOMETRY
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
4
-
2
STEREOMETRY
1
1
1

 

 

THE ART OF STEREOMETRY

 

-
-
-
-
-
STEREOMETRY
-
-
-
T
=
2
-
3
THE
33
15
6
A
=
1
-
3
ART
39
12
3
O
=
6
-
2
OF
21
12
3
S
=
1
-
11
STEREOMETRY
163
55
1
-
-
10
-
19
Add to Reduce
256
94
13
-
-
1+0
-
1+9
First Total
2+5+6
9+4
1+3
-
-
1
-
10
Reduce to Deduce
13
13
4
-
-
-
-
1+0
Second Total
1+3
1+3
-
-
-
1
-
1
Essence of Number
4
4
4

 

 

THE LIKENING OF UNLIKE THINGS

 

-
-
-
-
-
STEREOMETRY
-
-
-
T
=
2
-
3
THE
33
15
6
L
=
3
-
8
LIKENING
81
45
9
O
=
6
-
2
OF
21
12
3
U
=
3
-
6
UNLIKE
72
27
9
T
=
2
-
6
THINGS
77
32
5
-
-
16
-
25
Add to Reduce
284
131
32
-
-
1+6
-
2+5
First Total
2+8+4
1+3+1
3+2
-
-
7
-
7
Reduce to Deduce
14
5
5
-
-
-
-
-
Second Total
1+4
-
-
-
-
7
-
7
Essence of Number
5
5
5

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
3
ART
39
12
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
11
STEREOMETRY
163
55
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
6
THINGS
77
32
5
-
-
-
-
-
5
-
-
-
-
-
-
26
-
44
Add to Reduce
540
225
45
-
1
2
9
4
5
12
7
8
18
-
-
2+6
-
4+4
Reduce to Deduce
5+4+0
2+2+5
4+5
-
-
-
-
-
-
1+2
-
-
1+8
-
-
8
-
8
Essence of Number
9
9
9
-
1
2
9
4
5
3
7
8
9

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
1
3
5
6
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
6
-
A
=
1
-
3
ART
39
12
3
-
-
3
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
3
-
-
-
S
=
1
-
11
STEREOMETRY
163
55
1
-
1
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
6
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
3
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
9
T
=
2
-
6
THINGS
77
32
5
-
-
-
5
-
-
-
-
26
-
44
Add to Reduce
540
225
45
-
1
9
5
12
18
-
-
2+6
-
4+4
Reduce to Deduce
5+4+0
2+2+5
4+5
-
-
-
-
1+2
1+8
-
-
8
-
8
Essence of Number
9
9
9
-
1
9
5
3
9

 

THE ART OF STEREOMETRY

THE LIKENING OF UNLIKE THINGS

 

 

-
-
-
-
25
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
-
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
15
-
3
-
33
15
15
-
-
-
-
-
-
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
5
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
K
=
2
6
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
8
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
10
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
11
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
-
45
-
8
-
81
45
45
-
-
-
-
-
-
-
-
-
-
O
=
6
12
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
13
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
-
12
-
2
-
21
12
12
-
-
-
-
-
-
-
-
-
-
U
=
3
14
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
N
=
5
15
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
L
=
3
16
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
8
17
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
K
=
2
18
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
19
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
27
-
6
-
72
27
27
-
-
-
-
-
-
-
-
-
-
T
=
2
20
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
21
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
8
22
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
23
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
24
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
S
=
1
25
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
31
-
6
-
77
41
31
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
8
9
4
35
12
14
16
36
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
3+5
1+2
1+4
1+6
3+6
L
=
3
-
8
LIKENING
81
45
9
-
1
8
9
4
8
3
5
7
9
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
1
8
9
4
8
3
5
-
9
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
1
8
9
4
8
3
7
7
9
-
2+6
-
2+5
-
2+8+4
1+4+0
3+1
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
14
5
5
-
1
8
9
4
8
3
7
7
9
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
5
5
9
-
1
8
9
4
8
3
7
7
9

 

 

-
-
-
-
25
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
-
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
4
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
4
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
4
-
-
-
-
-
I
=
9
5
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
K
=
2
6
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
8
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
N
=
5
10
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
G
=
7
11
1
G
7
7
7
-
-
-
-
4
-
-
7
-
-
O
=
6
12
1
O
15
6
6
-
-
-
-
4
-
6
-
-
-
F
=
6
13
1
F
6
6
6
-
-
-
-
4
-
6
-
-
-
U
=
3
14
1
U
21
3
3
-
-
-
3
4
-
-
-
-
-
N
=
5
15
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
L
=
3
16
1
L
12
3
3
-
-
-
3
4
-
-
-
-
-
I
=
8
17
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
K
=
2
18
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
E
=
5
19
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
T
=
2
20
1
T
20
2
2
-
-
2
-
4
-
-
-
-
-
H
=
8
21
1
H
8
8
8
-
-
-
-
4
-
-
-
8
-
I
=
8
22
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
N
=
5
23
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
G
=
7
24
1
G
7
7
7
-
-
-
-
4
-
-
7
-
-
S
=
1
25
1
S
19
10
1
-
1
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
8
9
4
35
12
14
16
36
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
3+5
1+2
1+4
1+6
3+6
L
=
3
-
8
LIKENING
81
45
9
-
1
8
9
4
8
3
5
7
9
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
1
8
9
4
8
3
5
-
9
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
1
8
9
4
8
3
7
7
9
-
2+6
-
2+5
-
2+8+4
1+4+0
3+1
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
14
5
5
-
1
8
9
4
8
3
7
7
9
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
5
5
9
-
1
8
9
4
8
3
7
7
9

 

TRANSPOSED LETTERS INTO NUMBER RE-ARRANGED NUMERICALLY

 

-
-
-
-
25
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
-
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
25
1
S
19
10
1
-
1
-
-
4
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
4
-
-
-
-
-
K
=
2
6
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
K
=
2
18
1
K
11
2
2
-
-
2
-
4
-
-
-
-
-
T
=
2
20
1
T
20
2
2
-
-
2
-
4
-
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
4
-
-
-
-
-
U
=
3
14
1
U
21
3
3
-
-
-
3
4
-
-
-
-
-
L
=
3
16
1
L
12
3
3
-
-
-
3
4
-
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
8
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
10
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
15
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
E
=
5
19
1
E
5
5
5
-
-
-
-
4
5
-
-
-
-
N
=
5
23
1
N
14
5
5
-
-
-
-
4
5
-
-
-
-
O
=
6
12
1
O
15
6
6
-
-
-
-
4
-
6
-
-
-
F
=
6
13
1
F
6
6
6
-
-
-
-
4
-
6
-
-
-
G
=
7
11
1
G
7
7
7
-
-
-
-
4
-
-
7
-
-
G
=
7
24
1
G
7
7
7
-
-
-
-
4
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
4
-
-
-
8
-
H
=
8
21
1
H
8
8
8
-
-
-
-
4
-
-
-
8
-
I
=
9
5
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
I
=
9
9
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
I
=
8
17
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
I
=
8
22
1
I
9
9
9
-
-
-
-
4
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE LIKENING OF UNLIKE THINGS
-
-
-
-
1
8
9
4
35
12
14
16
36
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
3+5
1+2
1+4
1+6
3+6
L
=
3
-
8
LIKENING
81
45
9
-
1
8
9
4
8
3
5
7
9
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
1
8
9
4
8
3
5
-
9
T
=
2
-
6
THINGS
77
41
4
-
-
-
-
-
-
-
-
-
-
-
-
16
-
25
THE LIKENING OF UNLIKE THINGS
284
140
31
-
1
8
9
4
8
3
7
7
9
-
2+6
-
2+5
-
2+8+4
1+4+0
3+1
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
14
5
5
-
1
8
9
4
8
3
7
7
9
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
THE LIKENING OF UNLIKE THINGS
5
5
9
-
1
8
9
4
8
3
7
7
9

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
-
-
-
-
STEREO R METRY
-
-
-
R
=
9
-
3
RESTORE
100
37
1
M
=
4
-
2
ME
18
9
9
T
=
2
-
6
TRY
63
18
9
-
-
15
-
11
STEREO R METRY
181
64
19
-
-
1+5
-
1+1
-
1+8+1
6+4
1+9
-
-
6
-
2
STEREO R METRY
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
6
-
2
STEREO R METRY
1
1
1
-
-
-
-
-
STEREOMETRY
-
-
-

 

LAND ENGAGE

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LANGUAGE
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
1
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
N
=
5
3
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
U
=
3
5
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
A
=
1
6
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
7
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
32
-
8
LANGUAGE
68
32
32
-
2
2
6
4
10
6
14
8
9
-
-
3+2
-
-
-
6+8
3+2
3+2
-
-
-
-
-
1+0
-
1+4
-
-
-
-
5
-
8
LANGUAGE
14
5
5
-
2
2
6
4
1
6
5
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
LANGUAGE
5
5
5
-
2
2
6
4
1
6
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LANGUAGE
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
1
1
L
12
3
3
-
-
2
3
4
-
6
-
8
9
A
=
1
2
1
A
1
1
1
-
1
2
-
4
-
6
-
8
9
N
=
5
3
1
N
14
5
5
-
-
2
-
4
5
6
-
8
9
G
=
7
4
1
G
7
7
7
-
-
2
-
4
-
6
7
8
9
U
=
3
5
1
U
21
3
3
-
-
2
3
4
-
6
-
8
9
A
=
1
6
1
A
1
1
1
-
1
2
-
4
-
6
-
8
9
G
=
7
7
1
G
7
7
7
-
-
2
-
4
-
6
7
8
9
E
=
5
8
1
E
5
5
5
-
-
2
-
4
5
6
-
8
9
-
-
32
-
8
LANGUAGE
68
32
32
-
2
2
6
4
10
6
14
8
9
-
-
3+2
-
-
-
6+8
3+2
3+2
-
-
-
-
-
1+0
-
1+4
-
-
-
-
5
-
8
LANGUAGE
14
5
5
-
2
2
6
4
1
6
5
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
LANGUAGE
5
5
5
-
2
2
6
4
1
6
5
8
9

 

TRANSPOSED LETTERS REARRANGED NUMERICALLY

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LANGUAGE
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
2
1
A
1
1
1
-
1
2
-
4
-
6
-
8
9
A
=
1
6
1
A
1
1
1
-
1
2
-
4
-
6
-
8
9
L
=
3
1
1
L
12
3
3
-
-
2
3
4
-
6
-
8
9
U
=
3
5
1
U
21
3
3
-
-
2
3
4
-
6
-
8
9
N
=
5
3
1
N
14
5
5
-
-
2
-
4
5
6
-
8
9
E
=
5
8
1
E
5
5
5
-
-
2
-
4
5
6
-
8
9
G
=
7
4
1
G
7
7
7
-
-
2
-
4
-
6
7
8
9
G
=
7
7
1
G
7
7
7
-
-
2
-
4
-
6
7
8
9
-
-
32
-
8
LANGUAGE
68
32
32
-
2
2
6
4
10
6
14
8
9
-
-
3+2
-
-
-
6+8
3+2
3+2
-
-
-
-
-
1+0
-
1+4
-
-
-
-
5
-
8
LANGUAGE
14
5
5
-
2
2
6
4
1
6
5
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
LANGUAGE
5
5
5
-
2
2
6
4
1
6
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
3
5
7
-
-
-
-
-
LANGUAGE
-
-
-
-
-
-
-
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
A
=
1
6
1
A
1
1
1
-
1
-
-
-
L
=
3
1
1
L
12
3
3
-
-
3
-
-
U
=
3
5
1
U
21
3
3
-
-
3
-
-
N
=
5
3
1
N
14
5
5
-
-
-
5
-
E
=
5
8
1
E
5
5
5
-
-
-
5
-
G
=
7
4
1
G
7
7
7
-
-
-
-
7
G
=
7
7
1
G
7
7
7
-
-
-
-
7
-
-
32
-
8
LANGUAGE
68
32
32
-
2
6
10
14
-
-
3+2
-
-
-
6+8
3+2
3+2
-
-
-
1+0
1+4
-
-
5
-
8
LANGUAGE
14
5
5
-
2
6
1
5
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
5
-
8
LANGUAGE
5
5
5
-
2
6
1
5

 

 

T
=
2
-
3
THE
33
15
6
F
=
6
-
4
FIVE
42
24
6
S
=
1
-
6
SENSES
81
18
9
-
-
9
4
13
First
156
57
21
-
-
-
-
1+3
Add
1+5+6
5+7
2+1
-
-
9
-
4
Second
12
12
3
-
-
-
-
-
Reduce
1+2
1+2
-
-
-
9
-
4
Essence
3
3
3

 

 

S
=
1
-
5
SIGHT
63
27
9
S
=
1
-
5
SOUND
73
19
1
S
=
1
-
5
SMELL
61
16
7
T
=
2
-
5
TASTE
65
11
2
T
=
2
-
5
TOUCH
67
22
3
-
-
7
4
25
First
329
95
23
-
-
-
-
2+5
Add
3+2+9
9+5
2+3
-
-
7
-
7
Second
14
14
14
-
-
-
-
-
Reduce
1+4
1+4
-
-
-
7
-
7
Essence
5
5
5

 

 

5
SWORD
--
-
-
-
S
19
10
1
-
WORD
60
24
6
-
L
12
3
3
-
WORLD
72
27
9
-
W
23
5
5
-
LORD
49
22
4

 

 

6
WISDOM
-
-
-
-
W
23
5
5
-
I
9
9
9
-
S+D+O+M
51
15
6
6
WISDOM
83
29
20
-
-
8+3
2+9
2+0
6
WISDOM
11
11
2
-
-
1+1
1+1
1+1
6
WISDOM
2
2
2

 

 

6
WISDOM
-
-
-
-
W
23
5
5
-
IS
28
10
1
-
D+O+M
32
14
5
6
WISDOM
83
29
10
-
-
8+3
2+9
2+0
6
WISDOM
11
11
2
-
-
1+1
1+1
1+1
6
WISDOM
2
2
2

 

 

-
6
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
9
1
-
6
-
+
=
16
1+6
=
7
=
7
-
-
-
9
19
-
15
-
+
=
43
4+3
=
7
=
7
-
6
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
5
-
-
4
-
4
+
=
13
1+3
=
4
=
4
-``
-
23
-
-
4
-
13
+
=
40
4+0
=
4
=
4
-
6
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
23
9
19
4
15
13
+
=
83
8+3
=
11
1+1
2
-
-
5
9
1
4
6
4
+
=
29
2+9
=
11
1+1
2
-
6
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
1
occurs
x
1
=
1
2
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
3
-
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
4
-
4
-
-
4
occurs
x
2
=
8
-
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
20
6
W
I
S
D
O
M
-
-
25
-
-
6
-
29
2+0
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+9
2
6
W
I
S
D
O
M
-
-
7
-
-
6
-
11
-
-
5
9
1
4
6
4
-
-
-
-
-
-
-
1+1
2
6
W
I
S
D
O
M
-
-
7
-
-
6
-
2

 

 

6
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
9
1
-
6
-
+
=
16
1+6
=
7
=
7
-
-
9
19
-
15
-
+
=
43
4+3
=
7
=
7
6
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
5
-
-
4
-
4
+
=
13
1+3
=
4
=
4
-
23
-
-
4
-
13
+
=
40
4+0
=
4
=
4
6
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
23
9
19
4
15
13
+
=
83
8+3
=
11
1+1
2
-
5
9
1
4
6
4
+
=
29
2+9
=
11
1+1
2
6
W
I
S
D
O
M
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
4
-
4
-
-
4
occurs
x
2
=
8
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
-
-
9
-
-
-
-
-
-
9
occurs
x
1
=
9
6
W
I
S
D
O
M
-
-
25
-
-
6
-
29
-
-
9
-
-
-
-
-
-
2+5
-
-
-
-
2+9
6
W
I
S
D
O
M
-
-
7
-
-
6
-
11
-
5
9
1
4
6
4
-
-
-
-
-
-
-
1+1
6
W
I
S
D
O
M
-
-
7
-
-
6
-
2

 

 

3
THE
33
15
6
4
SELF
42
15
6
7
CENTRED
60
33
6
1
I
9
9
9

 

 

5
SENSE
62
17
8
6
COMMON
73
28
1
6
COMMON
73
28
1
5
SENSE
62
17
8

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Page 254

"...Is there in any sense an interstellar Rosetta Stone?

We believe there is a common language that all technical civilizations, no matter how different, must have.

That common language is science and mathematics.

The laws of Nature are the same everywhere:..."

 

R
=
9
-
7
ROSETTA
98
26
8
S
=
1
-
5
STONE
73
19
1
-
-
10
-
12
Add to Reduce
171
45
9
-
-
1+0
-
1+2
Reduce to Deduce
1+7+1
4+5
-
Q
-
1
-
3
Essence of Number
9
9
9

 

 

6
COMMON
73
28
1
5
SENSE
62
17
8
11
Add to Reduce
135
45
9
1+1
Reduce to Deduce
1+1
1+1
-
2
Essence of Number
2
2
9

 

 

-
11
C
O
M
M
O
N
-
S
E
N
S
E
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
6
5
-
1
-
5
1
-
+
=
24
2+4
=
6
-
6
=
6
-
-
-
15
-
-
15
14
-
19
-
14
19
-
+
=
96
9+6
=
15
1+5
6
=
6
-
11
C
O
M
M
O
N
-
S
E
N
S
E
-
-
-
-
-
-
-
-
-
-
-
-
3
-
4
4
-
-
-
-
5
-
-
5
+
=
21
2+1
=
3
-
3
=
3
-
-
3
-
13
13
-
-
-
-
5
-
-
5
+
=
39
3+9
=
12
1+2
3
=
3
-
11
C
O
M
M
O
N
-
S
E
N
S
E
-
-
-
-
-
-
-
-
-
-
-
-
3
15
13
13
15
14
-
19
5
14
19
5
+
=
135
1+3+5
=
9
=
9
=
9
-
-
3
6
4
4
6
5
-
1
5
5
1
5
+
=
45
4+5
=
9
=
9
=
9
-
11
C
O
M
M
O
N
-
S
E
N
S
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
4
4
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
-
5
-
-
5
5
-
5
-
-
5
occurs
x
4
=
20
2+0
2
-
-
-
6
-
-
6
-
-
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
NINE
8
-
-
-
-
-
26
11
C
O
M
M
O
N
-
S
E
N
S
E
-
-
19
-
-
11
-
45
-
18
2+6
1+1
-
-
-
-
-
5
-
-
5
5
-
5
-
1
1+9
-
-
1+1
-
4+5
-
1+8
8
2
C
O
M
M
O
N
-
S
E
N
S
E
-
-
10
-
-
2
-
9
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1+0
-
-
-
-
-
-
-
8
2
C
O
M
M
O
N
-
S
E
N
S
E
-
-
1
-
-
2
-
9
-
9

 

 

11
C
O
M
M
O
N
-
S
E
N
S
E
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
6
5
-
1
-
5
1
-
+
=
24
2+4
=
6
-
6
=
6
-
-
15
-
-
15
14
-
19
-
14
19
-
+
=
96
9+6
=
15
1+5
6
=
6
11
C
O
M
M
O
N
-
S
E
N
S
E
-
-
-
-
-
-
-
-
-
-
-
3
-
4
4
-
-
-
-
5
-
-
5
+
=
21
2+1
=
3
-
3
=
3
-
3
-
13
13
-
-
-
-
5
-
-
5
+
=
39
3+9
=
12
1+2
3
=
3
11
C
O
M
M
O
N
-
S
E
N
S
E
-
-
-
-
-
-
-
-
-
-
-
3
15
13
13
15
14
-
19
5
14
19
5
+
=
135
1+3+5
=
9
=
9
=
9
-
3
6
4
4
6
5
-
1
5
5
1
5
+
=
45
4+5
=
9
=
9
=
9
11
C
O
M
M
O
N
-
S
E
N
S
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
4
4
-
-
-
-
-
-
-
-
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
-
5
-
-
5
5
-
5
-
-
5
occurs
x
4
=
20
2+0
2
-
-
6
-
-
6
-
-
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
11
C
O
M
M
O
N
-
S
E
N
S
E
-
-
19
-
-
11
-
45
-
18
1+1
-
-
-
-
-
5
-
-
5
5
-
5
-
1
1+9
-
-
1+1
-
4+5
-
1+8
2
C
O
M
M
O
N
-
S
E
N
S
E
-
-
10
-
-
2
-
9
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
1+0
-
-
-
-
-
-
-
2
C
O
M
M
O
N
-
S
E
N
S
E
-
-
1
-
-
2
-
9
-
9

 

 

11
COMMONSENSE
9
9
9
6
COMMON
73
28
1
5
SENSE
62
17
8
11
COMMONSENSE
135
45
9
1+1
1+3+5
1+1
-
11
COMMONSENSE
9
9
9

 

 

-
8
I
N
S
T
I
N
C
T
-
-
-
-
-
-
-
-
-
-
-
-
9
5
1
-
9
5
-
-
+
=
29
2+9
=
11
1+1
2
=
2
-
-
9
14
19
-
9
14
-
-
+
=
65
6+5
=
11
1+1
2
=
2
-
8
I
N
S
T
I
N
C
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
3
2
+
=
7
-
=
7
=
7
=
7
-
-
-
-
-
20
-
-
3
20
+
=
43
4+3
=
7
=
7
=
7
-
8
I
N
S
T
I
N
C
T
-
-
-
-
-
-
-
-
-
-
-
-
9
14
19
20
9
14
3
20
+
=
108
1+0+8
=
9
=
9
=
9
-
-
9
5
1
2
9
5
3
2
+
=
36
3+6
=
9
=
9
=
9
-
8
I
N
S
T
I
N
C
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
2
-
-
-
2
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
-
5
-
-
-
5
-
-
-
-
5
occurs
x
2
=
10
=
1
6
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
-
9
occurs
x
2
=
18
=
9
25
8
I
N
S
T
I
N
C
T
-
-
20
-
-
8
-
36
-
18
2+5
-
9
-
-
-
9
-
-
-
-
-
2+0
-
-
-
-
3+6
-
1+8
7
8
I
N
S
T
I
N
C
T
-
-
2
-
-
8
-
9
-
9
-
-
9
5
1
2
9
5
3
2
-
-
-
-
-
-
-
-
-
-
7
8
I
N
S
T
I
N
C
T
-
-
2
-
-
8
-
9
-
9

 

 

3
THE
33
15
6
6
DIVINE
63
36
9
9
DIMENSION
102
48
3
18
Add to Reduce
198
99
18
1+8
First Total
1+9+8
9+9
1+8
9
Reduce to Deduce
18
18
9
-
Second Total
1+8
1+8
-
9
Essence of Number
9
9
9

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924
 
Penguin Modern Classics

The cover of this edition shows a detail from 'Dent du Midi' by Oskar Kokoschka.

There are seven chapters contained in the story of The Magic Mountain.
 
Forward. Page XII. Counting from the front cover to the back. On the seventh page the following quote.

"Not all in a minute then, will the narrator be finished with the story of our Hans. The seven days of a week will not suffice, no, nor seven months either. Best not too soon make too plain how much mortal time must pass over his head while he sits spun round in his spell. Heaven forbid it should be seven years!  

 

 

JOSEPH AND HIS BROTHERS

THE TALES OF JACOB

Thomas Mann 1933

Page 174

OF THE LONG WAITING

"...This man had said to that man: Give me thy daughter to wife, and the other man had answered: What wilt thou give for her? And the other man had had nothing. Then the above mentioned man had said: Seeing that thou canst pay no dowry nor any presents to hang at the bride's girdle at the betrothal, thou shalt serve me for as many years as the week hath days."
 
"...Then said the other man: So be it. In the name of the king, so be it. Each side took one of the contracts."
 
"...The agreement was sensible, the judge found it fair, and from the business side, Jacob himself had not much to complain of. If he owed his uncle a mina of silver at sixty shekels, seven years' labour would not suffice to pay the debt, for the average wage for a labourer was seven shekels a year, and seven of them would not make up the sum. He felt profoundly that the economic point of view was a very deceptive one; that if there were a just scale, a God's scale, as it were, the side with the seven years would have made the side with the / Page 175 / shekels fly up into the air. But after all, he would spend these years in Rachel's company and thus love's sacrifice would be mingled with much joy."
 
Page 175  

"...Seven years! Seven years they must wait for each other."
 
"...As for the seven years, they were even now in the process of being lived down."
 
"...Jacob suppressed the thought in his mind. This he did and so too should the narrator, and not imagine that he can pass over and obliterate the time with a little sentence like "Seven years went by." It is the story-tellers way to say things like that."
 
"...And even pass as though they had been seven days. For such is the tradition: that the seven years before which Jacob had at first quailed with fear, passed by like days."
 
"...What we have here is certainly no "seven-sleeper" enchantment, nor, indeed, any other kind, save that of time itself, whose larger units pass as do the smaller ones, neither slow nor fast, but simply pass."
 
Page 176
 
"...Jacob did not say that seven years went as fast as days"
 
"...Thus it was Jacob said that seven years, to him, like days."
 
"...Seven days may under some circumstances be harder to swallow, a more daring adventure in time than seven years."
 
"...And if we look back, lo, the point where we stepped in is "far back" it is, for instance seven years away, years that have passed like days."
 
"...No one says that Jacob undertook and entered upon his seven years with joy, for only after they had passed might he beget children with Rachel."
 
"...And thus seven years to him, while not so little as seven years in the sight of God, were yet not nearly so much to him as to one who should live but fifty or sixty years."
 
Page 176 / 7
 
"...Pure waiting is torture; no one could bear to sit seven years, or seven days."

 

 

JOSEPH AND HIS BROTHERS

THE TALES OF JACOB

Thomas Mann 1933

Page 980

THE TIME OF ENFRANCHISEMENT

SEVEN OR FIVE

 "...What would have become of us, for instance when Jacob was serving with the Devil Laban, seven and thirteen and five - in short, twenty-five years."
 
"...And what would become of us now without that reasonable principle, when our little bark, driven by the measuredly moving stream of narration, hovers again on the brink of a time-cataract of seven and seven prophesied years? Well, to begin with, and just amongst ourselves: in these fourteen years things were neither quite so definitely good nor so definitely bad as the prophecy would have them."
 
"...For the sake of the prophecy they are willing to agree that two and two make five - if the phrase may be used in a context where not five but an even higher odd number, namely seven, is in question. Probably this would constitute no great difficulty, five being almost as respectable a number as seven; and surely no reasonable man would insist that five instead of seven could constitute and inexactitude. In fact and in reality the prophesied seven looked rather more like five."
 
"...Among the fat ones were one or two which might have been described as certainly not lean, but to a critical eye as certainly no more than very moderately fat. The lean ones were all lean enough, at least five of them, if not seven;"

 

 

THE MAN WHO LOVED ONLY NUMBERS

Paul Hoffman

1

999

Page 217

"Mathematicians in India in the sixth century had developed a place value system and introduced the concept of a zero to keep their symbols in their proper places. Thus a 1 with an 0 after it, or 10, is a very different number from a 1 alone. Erdos, who always joked that he was old and stupid, said the Indians were very clever, not just in their discovery of zero, but in their choice of similar- sounding Hindi words for stupid person (buddhu) and old person (buddha).

In the seventh century, Hindu scholars introduced Islam to the Indian number scene, and the ideas of zero / Page 216 ( omitted) and place value spread rapidly throughout the Arabic world. Six centuries later, Fibonacci was so impressed with the ease of the Hindu-Arabic numerals that he wanted to make Pisan merchants aware of them. In 1202, he wrote Liber abaci (Book of the Abacus), which, despite the title had little to do with the Abacus and a lot to do with liberating computations from the yoke of Roman numerals. The book seems quaint from the vantage point of the twentieth century, because it explains what we take for granted.

"The nine Indian figures are: 9 8 7 6 5 4 3 2 1 , and with the sign Zero. . . any number can be written."

 

en.wikipedia.org/wiki/Heebie-jeebies

Heebie-jeebies or heebie jeebies may refer to: Heebie-jeebies (idiom), used to describe a feeling of anxiety, apprehension, depression or illness. "Heebie ...

Heebie-jeebies

From Wikipedia, the free encyclopedia

Jump to: navigation, search

 

Look up heebie-jeebies in Wiktionary, the free dictionary.

Heebie-jeebies or heebie jeebies may refer to:
Heebie-jeebies (idiom), used to describe a feeling of anxiety, apprehension, depression or illness.
"Heebie Jeebies" (composition), a 1926 single by Louis Armstrong and his Hot Five
Heebie Jeebies (film), a 2005 film
"Heeby-Jeebies", a 1956 single by Little Richard
The Hee Bee Gee Bees, a comedy parody of the Bee Gees

 

 

www.phrases.org.uk › Phrase Dictionary - Meanings and Origins

Heebie-jeebies - the meaning and origin of this saying

Heebie-jeebies

Meaning

A feeling of anxiety, apprehension or illness.

Origin

The sound of this term seems to hark back to earlier rhyming phrases, like hocus-pocus and mumbo-jumbo, with a touch of the jitters thrown in. The meaning is more like the British term - the screaming habdabs.

Heebie and jeebie don't mean anything as independent words and heebie jeebies was coined at a time and place when there was a spate of new nonsense rhyming pairs, called rhyming reduplications, - the bee's knees, etc., i.e. 1920s USA.

The term is widely attributed to William Morgan "Billy" de Beck. The first citation of it in print is certainly in a 1923 cartoon of his, in the 26th October edition of the New York American:

"You dumb ox - why don't you get that stupid look offa your pan - you gimme the heeby jeebys!"

Heebie jeebies caught on quickly and very soon began appearing in many newspapers and works of literature in the USA and, from 1927 onward, the UK; for example, here's an entry from the Van Nuys News, 6th November 1923, just a few days after de Beck's cartoon was published:

"Bill Alton showed up poorly in center field. The boys seemed to have the heebie jeebies."

The lack of any explanation in either of the above citations seems to imply that the term would have been known to the readership of both publications by the time of printing.

The speed of take-up of heebie jeebies, in a similar way to another coinage that is attributed to de Beck - horse feathers, does suggest an origin in the media rather than street slang, which tends to spread more slowly.

The term became part of the language quickly enough for it to begin appearing in advertisements from 1924 onwards, as in this illustration from the Mexia Daily News, October 1924, in an advert for a cold cure.

 

 

Key of Solomon - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Key_of_Solomon

The Key of Solomon (in Latin: Clavis Salomonis, Hebrew: Mafteah Shelomoh [???? ????]) is a grimoire incorrectly attributed to King Solomon. It probably dates ...

 

 

THE KEY OF SOLOMON

 

T
=
2
-
3
THE
33
15
6
K
=
2
-
3
KEY
41
14
5
O
=
6
-
2
OF
21
12
3
S
=
1
-
7
SOLOMON
103
31
4
-
-
11
-
15
First total
198
72
18
-
-
1+1
-
1+5
Add to Reduce
1+9+8
7+2
1+8
-
-
2
-
6
Second total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
7+1
-
-
-
2
-
6
Essence of Number
9
9
9

 

The Key of Solomon (in Latin: Clavis Salomonis, Hebrew: Mafteah Shelomoh

 

 

Key of Solomon

From Wikipedia, the free encyclopedia

One of the pentacles found in the "Key of Solomon" manuscripts. This one is identified as "The Great Pentacle" and appears in Bodleian Library Michael MS. 276, a 17th century Italian manuscript. An equivalent figure also appears in a Latin version, Bodleian Library, Aubrey MS. 24, dated to 1674. The figure is a variant of the Sigillum Aemeth published by Athanasius Kircher in Oedipus Aegyptiacus (Rome, 1652–4, pp. 479–81).
The Key of Solomon (in Latin: Clavis Salomonis, Hebrew: Mafteah Shelomoh [???? ????]) is a grimoire incorrectly attributed to King Solomon. It probably dates back to the 14th or 15th century Italian Renaissance. It presents a typical example of Renaissance magic.

It is possible that the Key of Solomon inspired later works, particularly the 17th-century grimoire also known as Clavicula Salomonis Regis, The Lesser Key of Solomon or Lemegeton, although there are many differences between the books.

Contents
[hide] 1 Manuscripts and textual history
2 Contents 2.1 Summary
2.2 Introduction
2.3 Book I
2.4 Book II

3 See also
4 References
5 External links

[edit] Manuscripts and textual history

Many such grimoires attributed to King Solomon were written in this period, ultimately influenced by earlier (High Medieval) works of Jewish kabbalists and Arab alchemists, which in turn hark back to Greco-Roman magic of Late Antiquity.

Several versions of the Key of Solomon exist, in various translations, and with minor or significant differences. The archetype was likely a Latin or Italian text dating to the 14th or 15th century.[1] Most extant manuscripts date to the late 16th, 17th or 18th centuries, but there is an early Greek manuscript, dating to the 15th century (Harleian MS. 5596) closely associated with the text. The Greek manuscript is referred to as The Magical Treatise of Solomon, and was published by Armand Delatte in Anecdota Atheniensia (Liége, 1927, pp. 397–445.) Its contents are very similar to the Clavicula, and it may in fact be the prototype on which the Italian or Latin text was based.

An important Italian manuscript is Bodleian Library Michael MS 276. An early Latin text survives in printed form, dated to ca. 1600 (University of Wisconsin-Madison, Memorial Library, Special Collections). There is a number of later (17th century) Latin manuscripts. One of the oldest extant manuscripts (besides Harleian 5596) is a text in English translation, entitled The Clavicle of Solomon, revealed by Ptolomy the Grecian and dated to 1572. There are a number of French manuscripts, all dated to the 18th century, with the exception of one dated to 1641 (P1641, ed. Dumas, 1980).

a group of pentacles from the Hebrew manuscript (BL Oriental 14759, fol. 35a)
A Hebrew text survives in two versions, one kept at the British Library, on a parchment manuscript, separated in BL Oriental MSS 6360 and 14759. The BL manuscript was dated to the 16th century by its first editor Greenup (1912), but is now thought to be somewhat younger, dating to the 17th or 18th century.[2] The discovery of a second Hebrew text in the library of Samuel H. Gollancz was published by his son Hermann Gollancz in 1903, who also published a facsimile edition in 1914.[3] Gollancz' manuscript had been copied in Amsterdam, in Sephardic cursive script, and is less legible than the BL text. The Hebrew text is not considered the original. It is rather a late Jewish adaptation of a Latin or Italian Clavicula text. The BL manuscript is likely the archetype of the Hebrew translation, and Gollancz' manuscript a copy of the BL one.[2]

An edition of the Latin manuscripts of the British Library was published by S. L. MacGregor Mathers in 1889. L. W. de Laurence in 1914 published "The Greater Key of Solomon", directly based on Mathers' edition, to which he made alterations in an attempt to advertise his mail-order business (for example by inserting instructions like "after burning one-half teaspoonful of Temple Incense" along with ordering information for the incense).

[edit] Contents

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2009)

[edit] Summary

The Key of Solomon is divided into two books. It describes not the appearance or work of any spirit but only the necessary drawings to prepare each "experiment" or, in more modern language, magical operations.

Unlike later grimoires such as the Pseudomonarchia Daemonum (16th century) or the Lemegeton (17th century ), the Key of Solomon does not mention the signature of the seventy-two spirits constrained by King Solomon in a bronze vessel. As in most medieval grimoires, all magical operations are ostensibly performed through the power of God, to whom all the invocations are addressed. Before any of these operations (termed "experiments") are performed, the operator must confess his sins and purge himself of evil, invoking the protection of God.

Elaborate preparations are necessary, and each of the numerous items used in the operator's "experiments" must be constructed of the appropriate materials obtained in the prescribed manner, at the appropriate astrological time, marked with a specific set of magical symbols, and blessed with its own specific words. All substances needed for the magic drawings and amulets are detailed, as well as the means to purify and prepare them. Many of the symbols incorporate the Transitus Fluvii occult alphabet.

[edit] Introduction

According to the mythical history of the document, as recorded in its introduction, Solomon wrote the book for his son Rehoboam, and commanded him to hide the book in his sepulchre upon his death. After many years the book was discovered by a group of Babylonian philosophers repairing Solomon's tomb. None could interpret the text, until one of them, Iohé Grevis, suggested that they should entreat the Lord for understanding. The Angel of the Lord appeared to him and extracted a promise that he would keep the text hidden from the unworthy and the wicked, after which he was able to read it plainly. Iohé Grevis then placed a conjuration on the book that the unworthy, the unwise or those who did not fear God would not attain the desired effect from any of the workings contained therein.

[edit] Book I

The Key of Solomon. Book I contains conjurations, invocations and curses to summon and constrain spirits of the dead and demons in order to force them to do the operator's will. It also describes how to find stolen items, become invisible, gain favour and love, and so on.

[edit] Book II

Book II describes various purifications which the operator (termed "exorcist") should undergo, how they should clothe themselves, how the magical implements used in their operations should be constructed, and what animal sacrifices should be made to the spirits.

[edit] See also
Testament of Solomon

[edit] References

1.^ "there is no ground for attributing the Key of Solomon, in its present form, a higher antiquity than the fourteenth or fifteenth century." Arthur Edward Waite The Book of Black Magic p. 70
2.^ a b Rohrbacher-Sticker, Jewish Studies quarterly, Volume 1, 1993/94 No. 3, with a follow-up article in the British Library Journal, Volume 21, 1995, p. 128-136.
3.^ A more recent facsimile edition of this book, Sepher Maphteah Shelomoh (Book of the Key of Solomon)(2008), was published by Teitan Press in 2008. Introductions by Hermann Gollancz and a Foreword by Stephen Skinner.
Elizabeth Butler, Ritual Magic, ISBN 0-271-01846-1, part II, chapter 1, "The Solomonic Cycle", pp. 47–99.
Arthur E. Waite, The Book of Black Magic, ISBN 0-87728-207-2, Chapter 2, ¨Composite Rituals¨, pp. 70

[edit] External links
S.L. Mathers' version of Key of Solomon at Esoteric Archives
Key of Knowledge, two older English versions of Key of Solomon, at Esoteric Archives
Solomon

Family and reputed relations

Davi
Queen of Sheba·
Pharaoh's daughter·
Naamah·
Rehoboam·
Menelik I

Occurrences

Solomon's Temple·
Judgment of Solomon·
Solomon's Pools·
Solomon's shamir

Views

Islamic view

Reputed works

Book of Ecclesiastes·
Book of Wisdom·
Odes of Solomon·
Key of Solomon·
The Lesser Key of Solomon·
Psalms of Solomon·
Testament of Solomon·
Song of Songs·
Prayer of Solomon

Related articles

Solomonic column·
Seal of Solomon·
Solomon's knot·
United Monarchy·
Davidic line

Categories: Solomon
Grimoires
Medieval literature
Pseudepigraphy

Languages

Dansk

Français
Hrvatski
Italiano
Nederlands
???
Polski
Português
???????
??
Edit links

This page was last modified on 26 February 2013 at 04:19.

 

SOLOMON

The Lesser Key of Solomon - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/The_Lesser_Key_of_Solomon

The Lesser Key of Solomon or Clavicula Salomonis Regis (the Clavicula Salomonis, or Key of Solomon is an earlier text referring to different material), is an ...

The Lesser Key of Solomon

From Wikipedia, the free encyclopedia

Jump to: navigation, search

For other uses, see Key of Solomon (disambiguation).

 

This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. (July 2009)

The Lesser Key of Solomon or Clavicula Salomonis Regis (the Clavicula Salomonis, or Key of Solomon is an earlier text referring to different material), is an anonymous 17th-century grimoire, and one of the most popular books of demonology. It has also long been widely known as the Lemegeton.

Contents
[hide] 1 History
2 Books 2.1 Ars Goetia 2.1.1 The 72 Demons

2.2 Ars Theurgia Goetia
2.3 Ars Paulina
2.4 Ars Almadel
2.5 Ars Notoria

3 Editions
4 References
5 External links

[edit] History

It appeared in the 17th century, but much was taken from texts of the 16th century, including the Pseudomonarchia Daemonum, by Johann Weyer, and late-medieval grimoires. Some of the material in the first section, concerning the summoning of demons, dates to the 14th century or earlier.

The book claims that it was originally written by King Solomon, although this is certainly incorrect. The titles of nobility (such as the French Marquis or Germanic Earl) assigned to the demons were not in use in his time, nor were the prayers to Jesus and the Christian Trinity included in the text (Solomon's birth predated Jesus Christ's birth by more than 900 years).

The Lesser Key of Solomon contains detailed descriptions of spirits and the conjurations needed to evoke and oblige them to do the will of the conjurer (referred to as the "exorcist"). It details the protective signs and rituals to be performed, the actions necessary to prevent the spirits from gaining control, the preparations prior to the invocations, and instructions on how to make the necessary instruments for the execution of these rituals.

The several original copies extant vary considerably in detail and in the spellings of the spirits' names. Modern editions are widely available in print and on the Internet.

The Goetia: The Lesser Key of Solomon the King (Clavicula Salomonis Regis) is a 1904 translation of the text by Samuel Liddell MacGregor Mathers. It is essentially a manual that purports to give instructions for summoning 72 different spirits.

[edit] Books

The Lesser Key of Solomon is divided into five parts.

[edit] Ars Goetia

Further information: Goetia

The circle and triangle, used in the evocation of the seventy-two spirits of the Goetia. The magician would stand within the circle and the spirit was believed to appear within the triangle.
The first section, called Ars Goetia, contains descriptions of the seventy-two demons that Solomon is said to have evoked and confined in a brass vessel sealed by magic symbols, and that he obliged to work for him. It gives instructions on constructing a similar brass vessel, and using the proper magic formulae to safely call up those demons.

It deals with the evocation of all classes of spirits, evil, indifferent and good; its opening Rites are those of Paimon, Orias, Astaroth and the whole cohort of Infernus. The second part, or Theurgia Goëtia, deals with the spirits of the cardinal points and their inferiors. These are mixed natures, some good and some evil.[1]

The Ars Goetia assigns a rank and a title of nobility to each member of the infernal hierarchy, and gives the demons' "signs they have to pay allegiance to", or seals. The lists of entities in the Ars Goetia correspond (to high but varying degree, often according to edition) with those in Johann Weyer's Pseudomonarchia Daemonum, an appendix appearing in later editions of his De Praestigiis Daemonum, of 1563.

A revised English edition of the Ars Goetia was published in 1904 by magician Aleister Crowley, as The Book of the Goetia of Solomon the King. It serves as a key component of his popular and highly influential system of magick.

[edit] The 72 Demons

Further information: List of demons in the Ars Goetia

The demons' names (given below) are taken from the Ars Goetia, which differs in terms of number and ranking from the Pseudomonarchia Daemonum of Weyer. As a result of multiple translations, there are multiple spellings for some of the names, which are given in the articles concerning them.

Buer, the 10th spirit, who teaches "Moral and Natural Philosophy" (from a 1995 Mathers edition. Illustration by Louis Breton from Dictionnaire Infernal).

1. King Bael
2. Duke Agares
3. Prince Vassago
4. Marquis Samigina
5. President Marbas
6. Duke Valefor
7. Marquis Amon
8. Duke Barbatos
9. King Paimon
10. President Buer
11. Duke Gusion
12. Prince Sitri
13. King Beleth
14. Marquis Leraje
15. Duke Eligos
16. Duke Zepar
17. Count/President Botis
18. Duke Bathin
19. Duke Sallos
20. King Purson
21. Count/President Marax
22. Count/Prince Ipos
23. Duke Aim
24. Marquis Naberius

25. Count/President Glasya-Labolas
26. Duke Buné
27. Marquis/Count Ronové
28. Duke Berith
29. Duke Astaroth
30. Marquis Forneus
31. President Foras
32. King Asmoday
33. Prince/President Gäap
34. Count Furfur
35. Marquis Marchosias
36. Prince Stolas
37. Marquis Phenex
38. Count Halphas
39. President Malphas
40. Count Räum
41. Duke Focalor
42. Duke Vepar
43. Marquis Sabnock
44. Marquis Shax
45. King/Count Viné
46. Count Bifrons
47. Duke Vual
48. President Haagenti

49. Duke Crocell
50. Knight Furcas
51. King Balam
52. Duke Alloces
53. President Caim
54. Duke/Count Murmur
55. Prince Orobas
56. Duke Gremory
57. President Ose
58. President Amy
59. Marquis Orias
60. Duke Vapula
61. King/President Zagan
62. President Valac
63. Marquis Andras
64. Duke Haures
65. Marquis Andrealphus
66. Marquis Cimeies
67. Duke Amdusias
68. King Belial
69. Marquis Decarabia
70. Prince Seere
71. Duke Dantalion
72. Count Andromalius

[edit] Ars Theurgia Goetia

The Ars Theurgia Goetia ("the art of goetic theurgy") is the second section of The Lesser Key of Solomon. It explains the names, characteristics and seals of the 31 aerial spirits (called chiefs, emperors, kings and princes) that King Solomon invoked and confined. It also explains the protections against them, the names of their servant spirits, the conjurations to invoke them, and their nature, that is both good and evil. The spirits in this section and the next, Ars Paulina, correspond to the names given in Steganographia of Trithemius.

Their sole objective is to discover and show hidden things, the secrets of any person, and obtain, carry and do anything asked to them meanwhile they are contained in any of the four elements (Earth, Fire, Air and Water). These spirits are given in a complex order in the book, and some of them have spelling variations according to the different editions.

[edit] Ars Paulina

The Ars Paulina (The Art of Paul) is the third part of The Lesser Key of Solomon. According to the legend, this art was discovered by the Apostle Paul, but in the book is mentioned as the Pauline Art of King Solomon. The Ars Paulina was already known since the Middle Ages. It is divided in two chapters in this book.

The first chapter refers on how to deal with the angels of the several hours of the day (meaning day and night), to their seals, their nature, their servants (called Dukes), the relation of these angels with the seven planets known at that time, the proper astrological aspects to invoke them, their names (in a couple of cases coinciding with two of the seventy-two demons mentioned in the Ars Goetia), the conjuration and the invocation to call them, the Table [sic] of practice.

The second chapter concerns the angels that rule over the zodiacal signs and each degree of every sign, their relation with the four elements, Fire, Earth, Water and Air, their names, and their seals. These are called here the angels of men, because all persons are born under a zodiacal sign, with the Sun at a specific degree of it.

[edit] Ars Almadel

The Ars Almadel (The Art of the Almadel) is the fourth part of The Lesser Key of Solomon. It tells how to make the almadel, which is a wax tablet with protective symbols drawn on it. On it are placed four candles. This chapter has the instructions concerning the colours, materials and rituals necessary for the construction of the almadel and the candles.

The Ars Almadel also tells about the angels that are to be invoked, and explains that only reasonable and just things that are needed must be asked to them, and how the conjuration has to be made. It also mentions twelve princes ruling with them. The dates and astrological aspects that have to be considered most convenient to invoke the angels are detailed but briefly.

The author asserts to have experimented with what is explained in this chapter.

[edit] Ars Notoria

The Ars Notoria (The Notable Art) is the fifth and last part of The Lesser Key of Solomon.

It contains a collection of prayers (some of them divided in several parts) mixed with kabbalistic and magical words in several languages (i.e. Hebrew, Greek, etc.), how the prayers must be said, and the relation that these rituals have to the understanding of all sciences. It mentions the aspects of the Moon in relation with the prayers. It also says that the prayers act as an invocation to God's angels. According to the book, the correct spelling of the prayers gives the knowledge of the science related to each one and also a good memory, stability of mind, and eloquence. This chapter presents the precepts that have to be observed to obtain a good result.

Finally, it tells how King Solomon received the revelation from the angel.

[edit] Editions
Mathers, S. L. MacGregor (trans.), Crowley, A. (ed.), The Goetia: The Lesser Key of Solomon the King (1904). 1995 reprint: ISBN 0-87728-847-X.
de Laurence, L. W. (1916); 1942 reprint: ISBN 978-0-7661-0776-2; 2006 reprint: ISBN 978-1-59462-200-7
Henson Mitch (1999), ISBN 978-0-9672797-0-1.
Peterson, Joseph H. The Lesser Key of Solomon: Lemegeton Clavicula Salomonis (2001), ISBN 978-1-57863-220-6.
Skinner, Stephen & Rankine, David, The Goetia of Dr Rudd: The Angels and Demons of Liber Malorum Spirituum Seu Goetia (Sourceworks of Ceremonial Magic). Golden Hoard Press, (2007). ISBN 978-0-9547639-2-3

[edit] References

1.^ Arthur Edward Waite, Book of Ceremonial Magic (page 65)

[edit] External links
J. B. Hare, online edition (2002, sacred-texts.com)
A correspondence chart of demons mentioned in the Key by rank, planet, etc.
The Goetia at About.com
Demon Sigils (Seals) from The Goetia at About.com
Esotericarchives.com

Solomon

Family and reputed relations

David·
Queen of Sheba·
Pharaoh's daughter·
Naamah·
Rehoboam·
Menelik I

Occurrences

Solomon's Temple·
Judgment of Solomon·
Solomon's Pools·
Solomon's shamir

Views

Islamic view

Reputed works

Book of Ecclesiastes·
Book of Wisdom·
Odes of Solomon·
Key of Solomon·
The Lesser Key of Solomon·
Psalms of Solomon·
Testament of Solomon·
Song of Songs·
Prayer of Solomon

Related articles

Solomonic column·
Seal of Solomon·
Solomon's knot·
United Monarchy·
Davidic line

Categories: Solomon
17th-century books
Grimoires

Languages

Cesky
Español
Français
Hrvatski
Italiano
???
Polski
Português
Româna
This page was last modified on 19 March 2013 at 17:51

 

SOLOMON

SOL

MOON

SOLOMON

 

THE KEY OF SOLOMON

3
THE
33
15
6
3
KEY
41
14
5
2
OF
21
12
3
7
SOLOMON
103
31
4
15
-
198
72
18
1+5
-
1+9+8
7+2
1+8
6
-
18
9
9
-
-
1+8
-
-
6
-
9
9
9

THE KEY OF SOLOMON

 

 

-
-
-
-
24
THE KEY OF SOLOMON
-
-
-
T
=
2
-
3
THE
33
15
6
K
=
2
-
3
KEY
41
14
5
O
=
6
-
2
OF
21
12
3
S
=
1
-
7
SOLOMON
103
40
4
-
-
23
-
15
THE KEY OF SOLOMON
198
81
18
-
-
-
1+5
-
1+9+8
8+1
1+8
-
-
-
-
6
THE KEY OF SOLOMON
18
9
9
-
-
-
-
-
1+8
-
-
-
-
-
-
6
THE KEY OF SOLOMON
9
9
9

 

 

-
-
-
-
24
THE KEY OF SOLOMON
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
K
=
2
-
3
KEY
41
14
5
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SOLOMON
103
40
4
-
-
-
-
-
-
-
-
-
-
-
-
11
-
15
THE KEY OF SOLOMON
198
81
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
15
-
3
-
33
15
15
-
-
-
-
-
-
-
-
-
-
K
=
2
4
1
K
11
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
Y
=
7
6
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
-
14
-
3
-
41
14
14
-
-
-
-
-
-
-
-
-
-
O
=
6
7
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
8
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
-
12
-
7
-
21
12
3
-
-
-
-
-
-
-
-
-
-
S
=
1
9
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
L
=
3
11
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
12
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
M
=
4
13
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
O
=
6
14
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
15
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
31
-
7
-
103
40
31
-
1
4
3
4
15
30
7
8
9
-
-
-
-
-
THE KEY OF SOLOMON
-
-
-
-
-
-
-
-
1+5
3+0
-
-
-
T
=
2
-
3
THE
33
15
6
-
1
4
3
4
6
3
7
8
9
K
=
2
-
3
KEY
41
14
5
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
1
4
3
4
6
3
7
8
9
S
=
1
-
7
SOLOMON
103
31
4
-
-
-
-
-
-
-
-
-
-
-
-
11
-
15
THE KEY OF SOLOMON
198
81
18
-
1
4
3
4
6
3
7
8
9
-
1+1
-
1+5
-
1+9+8
8+1
1+8
-
-
-
-
-
-
-
-
-
-
-
-
2
-
6
THE KEY OF SOLOMON
18
9
9
-
1
4
3
4
6
3
7
8
9
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
6
THE KEY OF SOLOMON
9
9
9
-
1
4
3
4
6
3
7
8
9

 

 

-
-
-
-
24
THE KEY OF SOLOMON
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
K
=
2
-
3
KEY
41
14
5
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SOLOMON
103
40
4
-
-
-
-
-
-
-
-
-
-
-
-
11
-
15
THE KEY OF SOLOMON
198
81
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
9
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
9
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
K
=
2
4
1
K
11
2
2
-
-
2
-
-
-
-
-
-
9
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
Y
=
7
6
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
9
O
=
6
7
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
F
=
6
8
1
F
6
6
6
-
-
-
-
-
-
6
-
-
9
S
=
1
9
1
S
19
10
1
-
1
-
-
-
-
-
-
-
9
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
L
=
3
11
1
L
12
3
3
-
-
-
3
-
-
-
-
-
9
O
=
6
12
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
M
=
4
13
1
M
13
4
4
-
-
-
-
4
-
-
-
-
9
O
=
6
14
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
N
=
5
15
1
N
14
5
5
-
-
-
-
-
5
-
-
-
9
-
-
-
-
-
-
-
-
-
-
1
4
3
4
15
30
7
8
9
-
-
-
-
-
THE KEY OF SOLOMON
-
-
-
-
-
-
-
-
1+5
3+0
-
-
-
T
=
2
-
3
THE
33
15
6
-
1
4
3
4
6
3
7
8
9
K
=
2
-
3
KEY
41
14
5
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
1
4
3
4
6
3
7
8
9
S
=
1
-
7
SOLOMON
103
31
4
-
-
-
-
-
-
-
-
-
-
-
-
11
-
15
THE KEY OF SOLOMON
198
81
18
-
1
4
3
4
6
3
7
8
9
-
1+1
-
1+5
-
1+9+8
8+1
1+8
-
-
-
-
-
-
-
-
-
-
-
-
2
-
6
THE KEY OF SOLOMON
18
9
9
-
1
4
3
4
6
3
7
8
9
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
6
THE KEY OF SOLOMON
9
9
9
-
1
4
3
4
6
3
7
8
9

 

LETTERS TRANSPOSED INTO NUMBER RE-ARRANGED NUMERICALLY

 

-
-
-
-
24
THE KEY OF SOLOMON
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
K
=
2
-
3
KEY
41
14
5
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
-
-
-
-
-
-
-
S
=
1
-
7
SOLOMON
103
40
4
-
-
-
-
-
-
-
-
-
-
-
-
11
-
15
THE KEY OF SOLOMON
198
81
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
9
1
S
19
10
1
-
1
-
-
-
-
-
-
-
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
-
9
K
=
2
4
1
K
11
2
2
-
-
2
-
-
-
-
-
-
9
L
=
3
11
1
L
12
3
3
-
-
-
3
-
-
-
-
-
9
M
=
4
13
1
M
13
4
4
-
-
-
-
4
-
-
-
-
9
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
9
N
=
5
15
1
N
14
5
5
-
-
-
-
-
5
-
-
-
9
O
=
6
7
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
F
=
6
8
1
F
6
6
6
-
-
-
-
-
-
6
-
-
9
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
O
=
6
12
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
O
=
6
14
1
O
15
6
6
-
-
-
-
-
-
6
-
-
9
Y
=
7
6
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
9
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
9
-
-
-
-
-
-
-
-
-
-
1
4
3
4
15
30
7
8
9
-
-
-
-
-
THE KEY OF SOLOMON
-
-
-
-
-
-
-
-
1+5
3+0
-
-
-
T
=
2
-
3
THE
33
15
6
-
1
4
3
4
6
3
7
8
9
K
=
2
-
3
KEY
41
14
5
-
-
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
1
4
3
4
6
3
7
8
9
S
=
1
-
7
SOLOMON
103
31
4
-
-
-
-
-
-
-
-
-
-
-
-
11
-
15
THE KEY OF SOLOMON
198
81
18
-
1
4
3
4
6
3
7
8
9
-
1+1
-
1+5
-
1+9+8
8+1
1+8
-
-
-
-
-
-
-
-
-
-
-
-
2
-
6
THE KEY OF SOLOMON
18
9
9
-
1
4
3
4
6
3
7
8
9
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
6
THE KEY OF SOLOMON
9
9
9
-
1
4
3
4
6
3
7
8
9

 

 

7
SOLOMON
-
-
-
-
S
19
1
1
-
O
15
6
6
-
L
12
3
3
-
O
15
6
6
-
M
13
4
4
-
O
15
6
6
-
N
14
5
5
7
SOLOMON
103
31
31
-
-
1+0+3
3+1
3+1
7
SOLOMON
4
4
4

 

 

7
SOLOMON
-
-
-
-
S
19
1
1
-
O+L
27
9
9
-
O+M
28
10
1
-
O+N
29
11
2
7
SOLOMON
103
31
31
-
-
1+0+3
3+1
3+1
7
SOLOMON
4
4
4

 

 

7
SOLOMON
-
-
-
-
S
19
1
1
-
O
15
6
6
-
O
15
6
6
-
O
15
6
6
-
L
12
3
3
-
M
13
4
4
-
N
14
5
5
7
SOLOMON
103
31
31
-
-
1+0+3
3+1
3+1
7
SOLOMON
4
4
4

 

 

7
SOLOMON
-
-
-
-
S
19
1
1
-
L
12
3
3
-
M
13
4
4
-
N
14
5
5
-
O
15
6
6
-
O
15
6
6
-
O
15
6
6
7
SOLOMON
103
31
31
-
-
1+0+3
3+1
3+1
7
SOLOMON
4
4
4

 

 

-
7
S
O
L
O
M
O
N
-
-
-
-
-
-
-
-
-
-
-
-
1
6
-
6
-
6
5
+
=
24
2+4
=
6
=
6
=
6
-
-
19
15
-
15
-
15
14
+
=
78
7+8
=
15
1+5
6
=
6
-
7
S
O
L
O
M
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
4
-
-
+
=
7
-
=
7
7
=
7
-
-
-
=
12
-
13
-
-
+
=
25
2+5
=
7
=
7
=
7
-
7
S
O
L
O
M
O
N
-
-
-
-
-
-
-
-
-
-
-
-
19
15
12
15
13
15
14
+
=
103
1+0+3
=
4
=
4
=
4
-
-
1
6
3
6
4
6
5
+
=
31
3+1
=
4
=
4
=
4
-
7
S
O
L
O
M
O
N
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-`
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
-
-
6
-
6
-
6
-
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
6
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
NINE
7
-
-
-
-
-
26
7
S
O
L
O
M
O
N
-
-
19
-
1
7
-
31
-
22
2+6
-
-
6
-
6
-
6
-
-
-
1+9
-
-
-
-
3+1
-
2+2
8
7
S
O
L
O
M
O
N
-
-
10
-
-
7
-
4
-
4
-
-
1
6
3
6
4
6
5
-
-
1+0
-
-
-
-
-
-
-
8
7
S
O
L
O
M
O
N
-
-
1
-
-
7
-
4
-
4

 

 

7
S
O
L
O
M
O
N
-
-
-
-
-
-
-
-
-
-
-
1
6
-
6
-
6
5
+
=
24
2+4
=
6
=
6
=
6
-
19
15
-
15
-
15
14
+
=
78
7+8
=
15
1+5
6
=
6
7
S
O
L
O
M
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
4
-
-
+
=
7
-
=
7
7
=
7
-
-
=
12
-
13
-
-
+
=
25
2+5
=
7
=
7
=
7
7
S
O
L
O
M
O
N
-
-
-
-
-
-
-
-
-
-
-
19
15
12
15
13
15
14
+
=
103
1+0+3
=
4
=
4
=
4
-
1
6
3
6
4
6
5
+
=
31
3+1
=
4
=
4
=
4
7
S
O
L
O
M
O
N
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-`
1
occurs
x
1
=
1
=
1
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
-
6
-
6
-
6
-
-
-
6
occurs
x
3
=
18
1+8
9
7
S
O
L
O
M
O
N
-
-
19
-
1
7
-
31
-
22
-
-
6
-
6
-
6
-
-
-
1+9
-
-
-
-
3+1
-
2+2
7
S
O
L
O
M
O
N
-
-
10
-
-
7
-
4
-
4
-
1
6
3
6
4
6
5
-
-
1+0
-
-
-
-
-
-
-
7
S
O
L
O
M
O
N
-
-
1
-
-
7
-
4
-
4

 

 

7
SOLOMON
-
-
-
-
S
19
1
1
-
O+L
27
9
9
-
O+M
28
10
1
-
O+N
29
11
2
7
SOLOMON
103
31
31
-
-
1+0+3
3+1
3+1
7
SOLOMON
4
4
4

 

 

7
SOLOMON
-
-
-
-
S
19
1
1
-
O
15
6
6
-
O
15
6
6
-
O
15
6
6
-
L
12
3
3
-
M
13
4
4
-
N
14
5
5
7
SOLOMON
103
31
31
-
-
1+0+3
3+1
3+1
7
SOLOMON
4
4
4

 

 

7
SOLOMON
-
-
-
-
S
19
1
1
-
O
15
6
6
-
L
12
3
3
-
-
-
-
-
-
M
13
4
4
-
O
15
6
6
-
O
15
6
6
-
N
14
5
5
7
SOL-MOON
103
31
31
-
-
1+0+3
3+1
3+1
7
SOLOMON
4
4
4

 

 

7
SOLOMON
103
31
4
-
-
-
-
-
-
-
-
-
-
7
SOL-MOON
-
-
-
3
SOL
46
10
1
4
MOON
57
21
3
7
SOL-MOON
103
31
4
-
-
1+0+3
3+1
-
7
SOL-MOON
4
4
4

 

 

7
SOLOMON
-
-
-
-
S
19
1
1
-
O
15
6
6
-
L
12
3
3
-
-
-
-
-
-
M
13
4
4
-
O
15
6
6
-
O
15
6
6
-
N
14
5
5
7
SOL-MOON
103
31
31
-
-
1+0+3
3+1
3+1
7
SOLOMON
4
4
4

 

 

-
7
S
O
L
-
M
O
O
N
-
-
-
-
-
-
-
-
-
-
-
-
1
6
-
-`
-
6
6
5
+
=
24
2+4
=
6
=
6
=
6
-
-
19
15
-
-
-
15
15
14
+
=
78
7+8
=
15
1+5
6
=
6
-
7
S
O
L
-
M
O
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
4
-
-
-
+
=
7
-
=
7
7
=
7
-
-
-
=
12
-
13
-
-
-
+
=
25
2+5
=
7
=
7
=
7
-
7
S
O
L
-
M
O
O
N
-
-
-
-
-
-
-
-
-
-
-
-
19
15
12
-
13
15
15
14
+
=
103
1+0+3
=
4
=
4
=
4
-
-
1
6
3
-
4
6
6
5
+
=
31
3+1
=
4
=
4
=
4
-
7
S
O
L
-
M
O
O
N
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-`
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
-
-
6
-
-
-
6
6
-
-
-
6
occurs
x
3
=
18
1+8
9
7
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
6
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
9
NINE
7
-
-
-
-
-
26
7
S
O
L
-
M
O
O
N
-
-
19
-
1
7
-
31
-
22
2+6
-
-
6
-
-
-
6
6
-
-
-
1+9
-
-
-
-
3+1
-
2+2
8
7
S
O
L
-
M
O
O
N
-
-
10
-
-
7
-
4
-
4
-
-
1
6
3
-
4
6
6
5
-
-
1+0
-
-
-
-
-
-
-
8
7
S
O
L
-
M
O
O
N
-
-
1
-
-
7
-
4
-
4

 

 

7
S
O
L
-
M
O
O
N
-
-
-
-
-
-
-
-
-
-
-
1
6
-
-`
-
6
6
5
+
=
24
2+4
=
6
=
6
=
6
-
19
15
-
-
-
15
15
14
+
=
78
7+8
=
15
1+5
6
=
6
7
S
O
L
-
M
O
O
N
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
4
-
-
-
+
=
7
-
=
7
7
=
7
-
-
=
12
-
13
-
-
-
+
=
25
2+5
=
7
=
7
=
7
7
S
O
L
-
M
O
O
N
-
-
-
-
-
-
-
-
-
-
-
19
15
12
-
13
15
15
14
+
=
103
1+0+3
=
4
=
4
=
4
-
1
6
3
-
4
6
6
5
+
=
31
3+1
=
4
=
4
=
4
7
S
O
L
-
M
O
O
N
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-`
1
occurs
x
1
=
1
=
1
-
-
-
3
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
=
5
-
-
6
-
-
-
6
6
-
-
-
6
occurs
x
3
=
18
1+8
9
7
S
O
L
-
M
O
O
N
-
-
19
-
1
7
-
31
-
22
-
-
6
-
-
-
6
6
-
-
-
1+9
-
-
-
-
3+1
-
2+2
7
S
O
L
-
M
O
O
N
-
-
10
-
-
7
-
4
-
4
-
1
6
3
-
4
6
6
5
-
-
1+0
-
-
-
-
-
-
-
7
S
O
L
-
M
O
O
N
-
-
1
-
-
7
-
4
-
4

 

 

7
SOLOMON
-
-
-
-
S
19
1
1
-
O
15
6
6
-
L
12
3
3
-
O
15
6
6
-
M
13
4
4
-
O
15
6
6
-
N
14
5
5
7
SOLOMON
103
31
31
-
-
1+0+3
3+1
3+1
7
SOLOMON
4
4
4

 

 

7
SOLOMON
-
-
-
-
S
19
1
1
-
O
15
6
6
-
O
15
6
6
-
O
15
6
6
-
L
12
3
3
-
M
13
4
4
-
N
14
5
5
7
SOLOMON
103
31
31
-
-
1+0+3
3+1
3+1
7
SOLOMON
4
4
4

 

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
2
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
3
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
4
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
5
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
6
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
7
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
8
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
9
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
10
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
Z
=
8
1
1
Z
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
2
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
3
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
4
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
6
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
W
=
5
9
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
11
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
12
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
13
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
15
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
16
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
17
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
18
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
19
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
F
=
6
20
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
21
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
V
=
4
22
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
23
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
24
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
25
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
X
=
6
26
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
S
=
1
27
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
E
=
5
28
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
4
29
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
30
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
31
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
32
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
33
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
34
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
35
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
36
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
N
=
5
37
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
38
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
39
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
40
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
40
First Total
522
243
225
-
2
6
3
8
70
42
7
24
63
-
-
4+5
-
4+0
Add to Reduce
5+2+2
2+4+3
2+2+5
-
-
-
-
-
7+0
4+2
-
2+4
6+3
-
-
9
-
4
Second Total
9
9
9
-
2
6
3
8
7
6
7
6
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
4
Essence of Number
9
9
9
-
2
6
3
8
7
6
7
6
9

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
2
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
3
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
4
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
6
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
V
=
4
7
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
V
=
4
8
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
9
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
10
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
W
=
5
12
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
15
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
16
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
17
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
18
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
19
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
20
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
21
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
22
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
23
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
24
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
25
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
26
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
27
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
28
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
X
=
6
29
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
30
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
Z
=
8
31
1
Z
8
8
8
-
-
-
-
-
-
-
-
8
-
H
=
8
32
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
H
=
8
33
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
34
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
35
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
36
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
37
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
38
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
39
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
40
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
40
First Total
522
243
225
-
2
6
3
8
70
42
7
24
63
-
-
4+5
-
4+0
Add to Reduce
5+2+2
2+4+3
2+2+5
-
-
-
-
-
7+0
4+2
-
2+4
6+3
-
-
9
-
4
Second Total
9
9
9
-
2
6
3
8
7
6
7
6
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
4
Essence of Number
9
9
9
-
2
6
3
8
7
6
7
6
9

 

LETTERS TRANSPOSED INTO NUMBER RE-ARRANGED NUMERICALLY

 

 

ZERO ONE TWO THREE FOUR FIVE 1IX 1EVEN EIGHT NINE

ZERO ONE 2WO 2HREE FOUR FIVE SIX SEVEN EIGH2 NINE

ZERO ONE TWO THREE FO3R FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FI4E SIX SE4EN EIGHT NINE

Z5RO O55 T5O THR55 FOUR FIV5 SIX S5V55 5IGHT 5I55

ZER6 6NE TW6 THREE 66UR 6IVE SI6 SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EI7HT NINE

8ERO ONE TWO T8REE FOUR FIVE SIX SEVEN EIG8T NINE

ZE9O ONE TWO TH9EE FOU9 F9VE S9X SEVEN E9GHT N9NE

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
Z
=
8
1
1
Z
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
2
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
3
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
4
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
6
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
W
=
5
9
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
11
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
12
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
13
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
15
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
16
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
17
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
18
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
19
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
F
=
6
20
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
21
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
V
=
4
22
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
23
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
24
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
25
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
X
=
6
26
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
S
=
1
27
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
E
=
5
28
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
4
29
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
30
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
31
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
32
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
33
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
34
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
35
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
36
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
N
=
5
37
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
38
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
39
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
40
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
40
First Total
522
243
225
-
2
6
3
8
70
42
7
24
63
-
-
4+5
-
4+0
Add to Reduce
5+2+2
2+4+3
2+2+5
-
-
-
-
-
7+0
4+2
-
2+4
6+3
-
-
9
-
4
Second Total
9
9
9
-
2
6
3
8
7
6
7
6
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
4
Essence of Number
9
9
9
-
2
6
3
8
7
6
7
6
9

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

8596 655 256 28955 6639 6945 196 15455 59782 5955

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
2
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
3
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
4
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
5
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
6
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
7
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
8
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
9
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
10
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
3
-
T
=
2
2
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
7
-
S
=
1
3
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
1
-
O
=
6
4
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
5
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
8
-
E
=
5
6
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
4
-
F
=
6
7
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
8
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
9
-
N
=
5
9
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
10
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
4
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
3
-
T
=
2
2
5
THREE
56
29
2
-
-
2
-
-
-
7
-
S
=
1
3
5
SEVEN
65
20
2
-
-
2
-
-
-
1
-
O
=
6
4
3
ONE
34
16
7
-
-
-
-
-
7
2
-
T
=
2
5
3
TWO
58
13
4
-
-
-
4
-
-
8
-
E
=
5
6
5
EIGHT
49
31
4
-
-
-
4
-
-
4
-
F
=
6
7
4
FOUR
60
24
6
-
-
-
-
6
-
5
-
F
=
6
8
4
FIVE
42
24
6
-
-
-
-
6
-
9
-
N
=
5
9
4
NINE
42
24
6
-
-
-
-
6
-
6
-
S
=
1
10
3
SIX
52
16
7
-
-
-
-
-
7
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
8
18
14
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
1+8
1+4
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
8
9
5

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
2
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
3
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
4
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
5
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
6
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
7
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
8
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
9
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
10
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

6
ZODIAC
-
-
-
-
Z+O+D
45
18
9
-
I
9
9
9
-
A+C
4
4
4
6
ZODIAC
58
31
22
-
-
5+8
3+1
2+2
6
ZODIAC
13
4
4
8
THIRTEEN
99
45
9

 

 

8
DENDERAH
-
-
-
-
D+E
9
9
9
-
N+D
18
9
9
-
E
5
5
5
-
R
18
9
9
-
A+H
9
9
9
8
DENDERAH
59
41
41
-
-
5+9
4+1
4+1
8
DENDERAH
14
5
5
-
-
1+4
-
-
8
DENDERAH
5
5
5

 

 

6
ZODIAC
58
31
4
8
DENDERAH
59
41
5
14
Add to Reduce
171
72
18
1+4
Reduce to Deduce
1+7+1
7+2
1+8
5
Essence of Number
9
9
9

 

 

3
THE
33
15
6
6
ZODIAC
58
31
4
2
OF
21
12
3
8
DENDERAH
59
41
5
19
First Total
171
99
18
1+9
Add to Reduce
1+7+1
9+9
1+8
10
Second Total
9
18
9
1+0
Reduce to Deduce
-
1+8
-
1
Essence of Number
9
9
9

 

 

-
14
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
8
-
8
6
-
9
-
-
+
=
36
3+6
=
9
=
9
=
9
-
-
-
-
14
-
-
-
-
8
-
26
15
-
9
-
-
+
=
72
7+2
=
9
=
9
=
9
-
14
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
-
-
-
-
-
-
-
-
-
-
4
5
-
4
5
9
1
-
-
-
-
4
-
1
3
+
=
36
3+6
=
9
=
9
=
9
-
-
4
5
-
4
5
18
1
-
-
-
-
4
-
1
3
+
=
45
4+5
=
9
=
9
=
9
-
14
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
-
-
-
-
-
-
-
-
-
-
4
5
14
4
5
18
1
8
-
26
15
4
9
1
3
+
=
117
1+1+7
=
9
=
9
=
9
-
-
4
5
5
4
5
9
1
8
-
8
6
4
9
1
3
+
=
72
7+2
=
9
=
9
=
9
-
14
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
6
occurs
x
1
=
6
=
6
-
-
4
-
-
4
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
5
5
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
8
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
9
14
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
36
-
-
14
-
72
36
-
1+4
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
-
3+6
-
-
1+4
-
7+2
-
3+6
9
5
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
9
-
-
14
-
9
9
-
-
4
5
5
4
5
9
1
8
-
8
6
4
9
1
3
-
-
-
-
-
-
-
-
-
-
9
5
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
9
-
-
14
-
9
9

 

 

14
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
8
-
8
6
-
9
-
-
+
=
36
3+6
=
9
=
9
=
9
-
-
-
14
-
-
-
-
8
-
26
15
-
9
-
-
+
=
72
7+2
=
9
=
9
=
9
14
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
-
-
-
-
-
-
-
-
-
4
5
-
4
5
9
1
-
-
-
-
4
-
1
3
+
=
36
3+6
=
9
=
9
=
9
-
4
5
-
4
5
18
1
-
-
-
-
4
-
1
3
+
=
45
4+5
=
9
=
9
=
9
14
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
-
-
-
-
-
-
-
-
-
4
5
14
4
5
18
1
8
-
26
15
4
9
1
3
+
=
117
1+1+7
=
9
=
9
=
9
-
4
5
5
4
5
9
1
8
-
8
6
4
9
1
3
+
=
72
7+2
=
9
=
9
=
9
14
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
6
occurs
x
1
=
6
=
6
-
4
-
-
4
-
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
5
5
-
5
-
-
-
-
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
-
-
-
-
-
-
8
-
8
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
14
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
36
-
-
14
-
72
36
1+4
-
-
-
-
-
9
-
-
-
-
-
-
9
-
-
-
-
3+6
-
-
1+4
-
7+2
-
3+6
5
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
9
-
-
14
-
9
9
-
4
5
5
4
5
9
1
8
-
8
6
4
9
1
3
-
-
-
-
-
-
-
-
-
-
5
D
E
N
D
E
R
A
H
-
Z
O
D
I
A
C
-
-
9
-
-
14
-
9
9

 

 

3+3
=
6
THE RAM
65
29
2
3+4
=
7
THE BULL
80
26
8
3+5
=
8
THE TWINS
118
37
1
3+4
=
7
THE CRAB
57
30
3
3+4
=
7
THE LION
83
38
2
3+6
=
9
THE VIRGIN
112
58
4
3+6
=
9
THE SCALES
92
29
2
3+8
=
11
THE SCORPION
109
46
1
3+6
=
9
THE ARCHER
86
50
5
3+4
=
7
THE GOAT
76
31
4
3+12
=
15
THE WATER CARRIER
172
82
1
3+6
=
9
THE FISHES
99
45
9
-
-
104
-
1149
501
42
-
-
1+0+4
-
1+1+4+9
5+0+1
4+2
-
-
5
-
15
6
6
-
-
-
-
1+5
-
-
-
-
5
-
6
6
6

 

THE WORD THE

with a Numerical root value of 6 occurs x 12 = 36

 

5
ARIES
52
25
7
6
TAURUS
100
19
1
6
GEMINI
57
39
3
6
CANCER
44
26
8
3
LEO
32
14
5
5
VIRGO
71
35
8
5
LIBRA
42
24
6
7
SCORPIO
95
41
5
11
SAGITTARIUS
144
45
9
9
CAPRICORN
97
52
7
8
AQUARIUS
107
35
8
6
PISCES
71
26
8
77
-
912
381
75
7+7
-
9+1+2
3+8+1
7+5
14
-
12
12
12
1+4
-
1+2
1+2
1+2
5
-
3
3
3

 

1149 + 912 = 2061

2 + 0 + 6 + 1 = 9

 

 

 

 

 
Top
 
 
Evokation
 
Previous Page
Index
Next Page